If supporting social causes is important to you, and you also like classic American punk rock, you might feel the need to dress yourself in this attractive Black Lives Matter T-shirt. This sharp design by Noble Tee Shop incorporates the image of four white bars on a black field that any fan would instantly recognize as the iconic logo for LA-based punk band Black Flack. Yes, it is pretty cool, and available in a variety of shirt styles, sizes and colors for $24.95 each at This Link!
What a nice surprise it was to find this huge mural by legendary Black Flag logo designer and flyer artist, Raymond Pettibon, adorning a wall of the backyard patio (reserved for smokers, although it was vacant when this picture was snapped) at the Double Down Saloon when we were there drinking happily last evening. Born Raymond Ginn in 1957, Pettibon is of course the younger brother of Black Flag guitarist and primary songwriter Greg Ginn. Trivia!
The Double Down Saloon is located at 14 Ave. A, just north of Houston, New York, NY 10009.
David Zwirner’s cavernous space on West 19th Street is currently hosting To Wit, an expansive exhibition of new works by Southern California-based artist, Raymond Pettibon. A wildly prolific artist and illustrator – for whom To Wit is his ninth exhibit at Zwirner – Pettibon is also famous for having designed flyers, album covers and the iconic four bar logo for LA Punk Rock legends, Black Flag. (Trivia: Pettibon’s birth name is actually Raymond Ginn, and Black Flag guitarist Greg Ginn is the artist’s older brother).
Pettibon’s work embraces a wide spectrum of American “high” and “low” culture, from the deviations of marginal youth to art history, literature, sports, religion, politics, and sexuality. Taking their points of departure in the Southern California punk-rock culture of the late 1970s and 1980s and the “do-it-yourself” aesthetic of album covers, comics, concert flyers, and fanzines that characterized the movement, his drawings have come to occupy their own genre of potent and dynamic artistic commentary.
To Wit presents a wide range of drawings and collages unified by their bold, vivid lines and striking compositions. Fragments from American society have been distilled into key images, which often incorporate texts of varying length, from one word to several paragraphs. The selection of texts, spanning a broad array of influences from popular media to Marcel Proust, William Faulkner, Henry James, Gustave Flaubert and the Bible, relate both rhythmically and narratively to the visual content of his drawings, although their relationship may not always be immediately apparent.
As the exhibition’s title, “to wit” introduces the works without an antecedent, as an interrupted thought followed by something spontaneous: to wit, this body of work. The words also convey Pettibon’s long-standing interest in the way language moves through its many registers: formal, literary, lyrical and spoken. It is also a dedication to Wit, the broad principle of humor that pervades this work. In keeping with Pettibon’s prolific practice, the works in this exhibition alternately address violence, humor, sex, evolution and sports.
In some drawings, the subject matter is easily recognizable: No Title (I wonder at…) shows the comic strip character Bazooka Joe, distinguished by his eye patch and baseball cap, blowing bubble gum.
You still have nearly a full month to see Raymond Pettibon’s To Wit, so get yourself over to West 19th Street while you can!
Own it for only $24.99 by visiting This Link.
On This Date, April 2nd in 1981: The Penelope Spheeris-directed Punk Rock Documentary, The Decline Of Western Civilization debuted in Southern California. Capturing the ferocity of the thriving and wildly influential LA and Orange County Punk music scene, Decline featured live performances from Black Flag, The Circle Jerks, Fear, Alice Bag Band, X, Catholic Discipline and The Germs, whose now long-deceased lead singer, Darby Crash graces the movie poster. Many of the film’s live performance scenes were shot at The Fleetwood, a cavernous live music venue near the pier in Redondo Beach, which I believe was formerly home to a Bowling Alley or Skate Rink.
Three Words: Punk Rock Dads. Without going into any detail at all, just the idea that anyone would make a documentary film about Punk Rock Dads is so golden. I mean, seriously: taking the ultimate anti-authoritarian pop-culture figure and putting him in the position of being the iron-fisted authority in a child’s life is both wildly fascinating and unbelievably hilarious. So, convincing me to check out the new film, The Other F Word, (the “F” standing for Fatherhood) directed by Andrea Blaugrund Nevins was a total no-brainer. Because, Punk Rock Dads! The LA and Orange Country Punk Rock scene of the late 70s / early 80s was HUGE for me when I was a teenager and into my early 20s. Being aware that a number of the “kids” I grew up with in Southern California would be featured musicians in the film, I knew this would be an enjoyable viewing experience, but honestly, I had no idea what I was in for. As riveting as any scripted drama, unbelievably funny and deeply – often unexpectedly – emotionally gut wrenching, The Other F Word is one of the best movies of 2011 and is way up there on my top 10 list of best music documentaries I’ve seen. I just loved this movie so much and can’t recommend it highly enough.
Blaugrund Nevins interviewed about two dozen Punk Dads for the film, and she got a really good mix, but the ones that get the most screen time are Pennywise frontman Jim Lindberg (whom I’d call the “star” of the film), Art Alexakis (Everclear), Fat Mike (NOFX), Lars Frederiksen (Rancid), Mark Hoppus (Blink 182), Ron Reyes (Black Flag), Flea (Red Hot Chili Peppers), Pro-Skating legend Tony Hawk, Drummer Josh Freese and Tony Brandenburg (The Adolescents). All of these guys are clearly just in love with being Dads and are entirely devoted to their children, who range in age from infants to grown teenagers. The guys come off as being really cool people in addition to being great Dads, and a lot of candid and funny moments got captured on film.
I loved the part where Lars Fredriksen (who has a tattooed forehead and sports a cheetah print buzzcut) jokes in one scene that the quickest way to clear a playground of kids and their moms is to “have the punk rock dad show up with the camera crew.” There’s also a very “punk rock” scene in which Josh Freese and his son play catch with a dirty diaper, and any scene that Fat Mike is in steals the show! It is not surprising that many of the Dads reveal that they are determined to be “the dad [they] never had.”
In addition to the many scenes of these guys interacting with their children and relating hilarious anecdotes about their personal experiences with parenthood, the film spends an entire section discussing what it’s like to be a working musician whose band’s financial success is the basis of how they put food on the table. With the possible exception of Flea, Josh Freese or Mark from Blink 182, who probably never have to work a day job again if they don’t want to, none of these guys are in millionaire Rock Star bands, but rather are working-class musicians who must tour up to 300 or more days per year to support their families. It’s surprising how many of the guys featured in the film admit that they never got into music to make money, but now, 20 years into it they’ve managed to earn a steady and viable income playing punk rock music. Like the story of the Golden Handcuffs, the downside to “realizing the dream” while making a living in a changing musical environment is that it requires them to be away from their kids for such a major part of the year that they miss out on first days of school, ball games and birthdays. Many wonder aloud in this film if it is worth it. One, ultimately, decides that it is not.
You may still be able to find The Other F Word showing at a theater near you (visit This Link for theater engagements), but if you’ve already missed out on seeing it on the big screen, the film will be released on DVD and Blu-Ray on January 31st, and is well worth owning. Executive Produced by Morgan Spurlock and Jeremy Chilnick, The Other F Word will appeal to music fans – and fans of these featured bands in particular – cool parents and anyone who loves a good documentary film.
The Worley Gig Gives The Other F Word Five Out of Five Stars!! Watch the Trailer Below!