I would never wish for anyone to become ill with the Covid, but if you’re outside your home and you’re not wearing a mask over your nose and mouth, then you are asking for it. No mask, no empathy. Wear one of these awesome shirts, designed by Austen Marie, and piss off the Karens and Chads who refuse to mask up because they are ignorant idiots They’ll be dead soon, so I hope it was worth it. This slogan is available to rock on a variety of T-Shirts, Hoodies and even Masks, and there are many other colors besides pink to choose from, but this is the Pink Thing of The Day, Bitches! Adult T-Shirt prices start at just $19.95, so get some quarantine shopping done now at This Link!
Oh, how timely is this T-Shirt parody of the undead Grady Sisters from Stanley Kubrick’s The Shining? Designed by Boggs Nicolas, the shirt is shown here in dark (blood) red, but it’s available in over a dozen different colors, and in sizes and styles to please everyone. Best of all, The Distancing T-Shirt is here just in time for all of your summer quarantining needs! You can pick one up for yourself or as a gift for a fan, at This Link! Prices start at just $19.95!
Technically, a parabola is a symmetrically mirrored U-shape. Pierre Cardin began working with the parabola in the 1950s, particularly in the 1957 Lasso collection. With the introduction of stretch fabrics and hoops in the 1960s, those sweeping, graceful parabolic drapes became amplified, evolving into ellipses and cones.
Some of Cardin’s “Parabolic” fashions collapse flat, are easily packed, and emerge as before — like his earlier Cardine dresses, which could be twisted, rolled and stowed effortlessly into luggage. Developed alongside Cardin’s investigations into furniture sculpture, the big, sculptural shapes of the Parabolic dresses were likewise designed to be seen in 360 degrees. And since they were made of stretch fabric, they had a bounce reminiscent of his “Kinetic” dresses from 1972.
Referencing his earlier “Lasso” or “Eye of the Needle” designs done in wool and mohair, in 1990s’ Parabolic Evening Gown, Cardin creates the shape as a pink and green silk parabola.
Photographed in The Brooklyn Museum.
This Pink and Black Sequined Mini Dress (autumn / winter 1983 – 84) is characteristic of paradoxical charm of the work of Stephen Sprouse (1953 – 2004). He often sited the cutout, mini-skirted styles that designers like Andre Courreges and Rudi Gernreich introduced in the 1960s, yet he reartciluated these silhouettes within the distinct cultural context of 1980s New York. From his debut collection, he established a unique look, artfully integrating pop culture and street style into youthful fashions executed in luxurious materials.
Sprouse was particularly known for his ability to sketch: the graffiti motifs developed for his textiles were frequently drawn by his own hand. The scrawled neon print of this dress has been skillfully engineered and embroidered with a gleaming layer if clear paillettes, lending a patina of glamour to an otherwise edgy garment.
Photographed as part of the exhibit In Pursuit of Fashion: The Sandy Schreier Collection, on view through May 17th, 2020 at The Metropolitan Museum of Art in NYC.
You work hard to look your best. Unfortunately, not everyone is born with great fashion skills. Some people need more fashion advice than others. One of the keys to making sure that your look stays current and on point is to learn the basics of how to put together an outfit. After all, the right outfit can make all the difference.
If you’ve been looking for help with how to match your clothes, you’ve come to the right place for answers. Keep reading to discover tips for cute outfits to wear so that you’ll look like a million bucks rather than a wrinkled old dollar bill.
- Build Your Outfit Around a Single Item
When great style isn’t exactly your main strength, you’d be wise to build your daily ensemble around a single item that you really love. This could be an amazing pair of shoes, a skirt, a killer top, or even a gorgeous necklace or bracelet that you’ve been wanting to showcase.
Once you’ve picked an item to work around, you can start adding other details that will really make your look pop. This is a great way to keep from getting overwhelmed in the decision-making process as you’re getting dressed.
If you’re looking for the perfect accessory for your outfit, shop Fendi bags at SSENSE.
- Don’t Be Afraid to Mix & Match
Learning to mix and match can take some practice, and yet this is the secret to maximizing the contents of your closet. When you get good at mixing and matching your clothes, you’ll quickly develop an eye for how to make 10 different outfits from a small variety of clothing, from jeans to skirts, to blouses, cardigan, and from heels to sandals. The sky is the limit, really. You might think that this is a patchwork approach to fashion, but it’s actually a ton of fun.
- Remember to Think Seasonal
One of the keys to keeping your fashion game really rocking is to change your wardrobe with the changing seasons. This includes the colors you choose to the footwear that you match with the appropriate outfit. Even if you live in an area where the weather stays warm year-round, you can still change up your looks from paler colors to bright floral prints, depending on the weather and the specific month of the year.
- Always Be On the Lookout for New Ideas
If you’re a ‘people watcher,’ remember to always be on the lookout for cute outfit ideas. After all, great inspiration is all around you if you just pay attention. You’ll learn a lot by studying the fashion game of both strangers on the street and those you admire.
- Don’t Be Afraid to Experiment
Never be afraid to experiment with your outfits. Be bold, be creative, and be willing to take risks, because that’s ultimately what fashion is all about. For some people, figuring out how to put together an outfit that looks great can be challenging. Fortunately, the tips contained here can help you start looking your best in no time
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The Nazi occupation of Paris lasted from June 14, 1940 to August 25, 1944. The Nazi authorities initially planned to move the entire Paris fashion industry to the German Reich. Lucian Lelong, then head of the Chambre Syndicale, convinced them that the haute couture could only exist, “in Paris or . . . not at all.” Among those who could legally purchase Paris couture during the Occupation were some 20,000 French women (who had special couture ration cards) about 200 Germans, and citizens of neutral countries, such as Spain and Switzerland.
Jeanne-Marie Lanvin was a French haute couture fashion designer, who founded the Lanvin fashion house and the beauty and perfume company Lanvin Parfums. She designed this gray, black and gold Brocade Evening Coat in 1943.
Photographed as Part of The Exhibit, Paris, Capital of Fashion, On View at The Museum at FIT in Manhattan Through January 4th, 2020.
Exaggerated proportions and visual intricacy define this maximalist ensemble by Comme des Garçons. The elaborate coat and bodysuit, in various fabrics including cotton, wool, nylon, polyester and linen — and in assorted shades of pink, red and white, are part of the Spring 2018 Multidimensional Graffiti collection, which appropriated the works 10 artists ranging from the 16th century to today.
According to Women’s Wear Daily, the result was a mash-up of prints and textures that allied to “the possibilities inherent when wildly unlike visual perspective coexist.”
Photographed as Part of the Exhibit Minimalism / Maximalism at the Museum at FIT in Manhattan Through November 16, 2019.
By the 20th century, wool suits and coats were indispensable, practical elements of fashionable daywear for women. Double-faced wool, used here by designer Mila Schön for her Blue Coat (1968) is woven almost as two separate textiles, joined by a set of interwoven yarns, creating a thick, structural, spongy fabric.
The textile’s density supports this A-line silhouette, while the wool’s pliability eases the inset of Pop Art circles. The hems were self-finished by opening the layers and stitching the edges to the inside.
Photographed as Part of the Exhibit, Fabric in Fashion, on View Through May 4th, 2019 at The Museum at FIT in Manhattan.
This elaborately Beaded Vest (2013) was inspired by the catalogs for the Burpee Seed Company, an online purveyor of gardening supplies. Whereas much Native American beadwork features flat, abstract designs, Marcus Amerman (Choctaw, Born 1959) stitches each bead individually, alternating colors to create three-dimensional effects. The result is vivid imagery that leaps off the surface and defies our expectations of the medium.
Although the realism and commercial source of Amerman’s imagery are nontraditional, floral imagery has a long history within Native North American beadwork as an art form and a symbol of cultural resilience. Floral imagery emerged as a mainstay of beadwork during the fur trade, when beaded horse gear, bags, and clothing found a ready market among non-Native traders and settlers. As Native groups were disrupted and displaced by expansion, disease and war, floral imagery retained symbolic meaning known only to tribes, forming a visual language capable of surviving the destructive forces of empire.
Photographed in the Autry Museum of the American West in Los Angeles, CA.