Photo By Gail
An expression of artist Dindga McCannon’s love for Black American women, Revolutionary Sister (1971) was a response to the absence of depictions of women fighting for Black empowerment in the 1960s and 1970s.
Continue reading Modern Art Monday Presents: Revolutionary Sister By Dindga McCannon
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Like many feminist-aligned artists in the 1970s, Faith Ringgold embraced collaboration as a politically significant part of her practice. Ringgold’s primary collaborator was her own mother, the fashion designer and dress maker Willi Posey. Mrs. Jones and Family (1973, also known as Mrs. Jones, Andrew, Barbara, and Faith) was created with Posey, who designed and sewed garments for many of Ringgold‘s mask sculptures throughout the 1970s. Continue reading Modern Art Monday Presents: Mrs. Jones and Family By Faith Ringgold
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Wadsworth Jarrell’s Revolutionary (Angela Davis) (1971) is one of the most recognized paintings associated with the Black Arts Movement, a cultural manifestation of the Black Power Movement. Artists of this movement sought to create uplifting images that called upon Black people to harness their collective power.
Continue reading Modern Art Monday Presents: Wadsworth A. Jarrell, Revolutionary (Angela Davis)
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American People, Faith Ringgold’s first exhibition outside Harlem, opened at Spectrum Gallery on 57th Street in December 1967. The exhibition featured her three murals, including U.S. Postage Stamp Commemorating The Advent of Black Power (1967). Despite Ringgold’s determination to exhibit her paintings throughout the mid-1960s, she initially met with little success. The white-owned commercial galleries on 57th Street were dismissive, and Spiral, identified affectionately as the “old men of Black art“ by the painter Vivian Brown, declined to admit her into the group.
Continue reading Modern Art Monday Presents: Faith Ringgold, Postage Stamp Commemorating The Advent of Black Power