Photos By Gail
Artist and designer Beau McCall uses buttons to tell stories “about African-American life, love and experience,” noting “buttons are universal. There are those that express class differences, political views, and cultural issues.” His jacket, The Revolution (1995) communicates black American Afrocentricity through the colors of the pan African flag.
Continue reading Eye On Design: The Revolution Levis Denim Jacket By Beau McCall
While fashion trends may change every season, there are certain wardrobe staples that stand the test of time. These essential pieces form the backbone of a well-rounded closet, offering versatility and effortless style. Whether you’re dressing for a casual day out, a formal event, or anything in between, having the right basics can simplify your daily routine and ensure that you always look polished and out together.
Continue reading Eight Must Have Staples For Your Wardrobe
Photo By Gail
This monumental portrait of a claimed opera singer Marian Anderson (1944) was part of artist Laura Wheeler Waring’s Outstanding Americans of Negro Origin series, commissioned by the Harmon Foundation for an exhibition at the National Portrait Gallery. Anderson had become a celebrated star of the concert stage in Europe, where Waring first saw her perform in 1916. Continue reading Modern Art Monday Presents: Portrait of Marian Anderson By Laura Wheeler Waring
All Photos By Gail
Kapwani Kiwanga (b. 1978) is a conceptual artist working across film, performance, sculpture, and installation. Through exhaustive research into topics including colonial history, social segregation, and marginalized stories, Kiwanga constructs artworks that tease apart power imbalances and the imperceptible nuances that comprise the aesthetics of power.
Continue reading On Growth By Kipwani Kiwanga on The High Line
Photo By Gail
Jarvis Boyland’s sensitive paintings conjure feelings of intimacy and leisure. In Pop Out (2019) — the title being a Chicago-based expression for hanging out — the artist depicts himself standing alongside an artist friend, both dressed in lustrous outfits and meeting the viewer’s gaze. The stand in a lived-in space with arms interlocked, exuding a familiarity that confirms their comfort in each other’s presence. It is as much a portrait of their relationship as it is of them as individuals, echoing Borland’s broader portrayals of queer Black people in domestic settings.
Photographed in the Brooklyn Museum as Part of the Exhibit Giants: Art From The Dean Collection.