Paola Pivi’s interdisciplinary artistic practice combines the familiar with the bizarre. The artist shifts viewer’s expectations of rules, categories and boundaries; her parallel universes encourage us to recognize divisions we take for granted. You Know Who I Am (2022) is a cast bronze replica of the Statue of Liberty wearing cartoonish masks – stylized portraits of individuals whose personal experiences of freedom are directly connected to the United States. The masks change every two months, representing different people over the course of the exhibition. Continue reading Paola Pivi’s You Know Who I Am On The High Line
I must admit that I had a good laugh when I passed this very familiar-looking sculpture while walking on the High Line recently. Maybe you have a similar dental Retainer (albeit on a much smaller scale) in your medicine cabinet right now. I know I do.
In We Wither Time into a Coil of Fright, artist Jill Mulleady (b. 1989, Montevideo, Uruguay) portrays a surreal landscape populated by multiple figures. Though the individuals are clustered close to one another by the riverbank, they appear disconnected — even self absorbed.
The High Line always seems to have new public art installed along its mile-plus length of green space, and Five Conversations by Tanzanian-born artist Lubaina Himid, although it has been up since April, was new to me as I walked south along the path on my way to the Whitney Museum one sweltering Sunday afternoon.
For Five Conversations, Himid introduces five wooden doors reclaimed from traditional Georgian townhouses, painted with life-size portraits, cut into silhouettes, that stand freely as flat sculptures. The portraits depict everyday, stylish women who love talking to each other!
These works have a theatrical quality, referencing stage sets and the simplified histories that dominate our world. In her signature way, Himid brings the two-dimensional medium of painting into our three-dimensional world.
Part of the En Plein Air, a Group Exhibit that Examines and Expands the Tradition of Outdoor Painting, On View Through March 2020.
The first time I laid eyes on Simone Leigh’s monumental Brick House sculpture I was on the bus heading uptown on 10th Avenue.