Avery Singer (b. 1987), who was named for American painter Milton Avery (1885 – 1965) by her artist parents began using an airbrush in 2012 to expand onto canvas the geometric illustrations she composed in the open-source computer program SketchUp, a favorite of designers and architects for three-dimensional rendering.
Enlarging these imagined, gridded interiors by hand into paintings such as Screen Burn (2019) is a central part of the artist’s work, in which she deftly combines digital rendering and analog studio practice for a new generation.
Photographed in the Metropolitan Museum of Art in NYC.
A unique take on the concept of ‘Indoor/Outdoor’ furniture is perhaps unintentionally offered in British artist Jonathan Trayte’s recent exhibit of sculptural art furniture, MelonMelonTangerine, at Freidman Benda Gallery. Intended to transport the viewer to an otherworldly botanical garden, pieces like the Black Dakota Lamp (2019) combine industrial materials such as stainless steel, bronze, polymer compound, and reinforced plastics, and brass leaver, with a base covered in crushed glass, and blown-glass light sconces to create an eclectic light-emitting tree.
This and other works in the collection were inspired by Trayte’s recent 2000-mile road trip through the Western United States. With a keen perception and eye for the obscure, the artist finds the surreal in our everyday surroundings and within the fabric of daily life. Realized while in isolation amidst the current pandemic, he recalls hazy visions of sedimentary rock formations, Joshua trees, lichens, silver cholla cacti and prickly pear fruits to inform this new body of work. We are excited to be featuring more whimsical works from MelonMelonTangerine in the coming weeks!
The absence of virtually all design shows for the year 2020 (Salon Art + Design, Architectural Digest Home Show, ICFF, and on and on) — which was probably my least favorite Covid cancelation — serves as the inspiration for Friedman Benda’s latest exhibit: What Would Have Been, which I visited a few weeks ago to get my design-fix on! The exhibition gives fans access to design that lost its intended platform; works shown briefly before museum doors closed or failed to open at all. A favorite piece in the gallery (and not just because it’s pink) was Chris Schank’s Grotto Mirror — which may look familiar to some readers.
The Grotto Mirror is part of Schanck’sUnhomely collection, which employs his Alufoil method of sculpting industrial and discarded materials, covering them in aluminum foil and then sealing each with resin.
Grotto Mirror Installation View
Each mirror is a unique piece and would surely be the center of attention in any room!
Jean Marie Fiori is a French sculptor born in Limoges. He graduated from the National School of Fine Arts (École Nationale des Beaux-arts) in Paris, where he is now based. Formerly a painter, Fiori is devoted to sculpture and more specifically, to the representation of animals. During the years, the artist/designer improved his mastery of bronze and enriched his imaginary bestiary of designed furniture and monumental installations. In 2010, Fiori was selected by the Chinese Official Committee of World Expo in Shanghai to create a set of urban furniture consisting of five benches. Inspired by traditional Chinese symbols, he reinterpreted turtle, bull, tiger, buffalo and duck. Over time, he developed a language of plastic arts closer to that of the Decorative Arts. He transformed deer into chairs and falcons into tables, with a sense of humor and his own originality specific to his works. This Tiger Chimney / Fire Place in patinated bronze was produced in a signed and numbered edition of 8 plus 4 Artist Proofs. Inquire Here for pricing.
Photographed at the Salon Art + Design 2019 in NYC.
In We Wither Time into a Coil of Fright, artist Jill Mulleady (b. 1989, Montevideo, Uruguay) portrays a surreal landscape populated by multiple figures. Though the individuals are clustered close to one another by the riverbank, they appear disconnected — even self absorbed.
The work suggests that contemporary life is hyperconnected yet ultimately isolating, a sense heightened by the scene’s lush natural surroundings. Without the protection and surveillance of the built environment, Mulleady asks, are her subjects more free, more vulnerable, or both?
This mural went up in March 2020 and is on indefinite view. You can see it from the beginning of the High Line on a building located at 95 Horatio Street.
Current, Mid-Pandemic Photo Taken July 18th, 2020.
Carved 323.5k Moon Gold Leaf on Molten Black Encaustic Bees Wax (Photo By Gail)
Ryan Weston Shook, also known as Saber, titled I Saw It in a Dream (2019) after a quote by Abstract Expressionist painter Jasper Johns and created the piece via an encaustic wax process, its layers creating a textural surface. The flag symbolism has evolved with the artist over the years, with him questioning its meaning for broad swath of people. Saber’s paintings borrow elements, techniques and materials that he once used as a 21-year-old, rising to international fame in 1996 after painting the world’s largest graffiti piece on the bank of the Los Angeles River. Eight years after the fact, the LA County Museum of Natural History commissioned him to paint a miniature version of his piece on its riverbed diorama. The visibility of this 250-by-55-foor work (documented by satellites in space) and his years of press coverage for other creations shined a glaring public spotlight on the form. The artist’s studio work exemplifies his further exploration of movement and energy.
Photographed as part of Beyond The Streets in Williamsburg, Brooklyn.
Money Bag Jane By Sean Keith at Artspace Warehouse, Los Angeles, $800 (All Photos By Gail)
For many New Yorkers, the fist sign of Fall might be the changing of the leaves, or a noticeable dip in temperatures; but for me, it’s the arrival of the Affordable Art Fair, which is the first big art event of the season. Whether you’re shopping for art, looking for inspiration, or just enjoy the social aspect of the fair, the AAFNYC offers something to satisfy every artistic palette. My tastes tend to run to pop and very contemporary art, so I’m going to show you a lot pieces that fit into those categories. Let’s get to it, shall we?
Art Chameleon in Her Natural Habitat
I love how this lady’s dress matches the colors of the art around her!
The Affordable Art Fair takes place across five days — Wednesday evening through Sunday afternoon — but you’ll always find me there during opening night’s Private View evening, when most of the press attend, and when there’s an open bar! This season’s bar was co-sponsored by Schoffenhofer Grapefruit Beer, which is my favorite drink in the entire universe. It. Is. So. Delicious.