This week I went on an adventure! I had to make a trip down to Wall Street for the first time since our work-from-home directive went down in mid-March, because I had dermatologist appointment. Wee! After braving my masked-up, socially distanced subway ride, I had about 30 minutes to kill before my appointment time, and I enjoyed walking about in the financial district in relative solitude. It was awesome. And what a fun surprise to see artist Arturo Di Modica’s now-iconic bronze statue, Fearless Girl, rocking a face mask to reflect the Covid Life we live in. Inspiring! If you happen to be in that area, you can find her on Broad Street standing across from the NYSE.
If you’ve seen the classic Disney film Fantasia, one of the Flatiron district’s new residents may look familiar to you. Hippo Ballerina, created by artist Bjørn Okholm Skaarup, is a bronze statue of a Hippo wearing a Tutu, standing over fifteen feet high, and weighing two and one-half tons. Installed on the east side of the Flatiron Building during the first week of September, the monumental artwork was formerly installed at Lincoln Center, but has been without a home since it was removed from that location in October, 2017. Kids especially seem to love it. If you’re looking for locations to snap unique souvenir photos from your trip to NYC, add this one to your list. The new installation of the statue was made possible through NYC DOT Art & Event Programming, Cavalier Galleries and the Flatiron Partnership.
Hippo Ballerina can be found on the Flatiron South Public Plaza, Between 22nd and 23rd Streets along Broadway, in Manhattan. The Statue is Scheduled to Be Up Through Thanksgiving, 2019.
Veit Laurent Kurz (b. 1985 in Erbach, Germany) cultivates artificial ecosystems composed of a variety of living and nonliving materials, including plants, mosses, nondescript chemicals, biohazardous material containers, industrial plastic tubing, and paint.
For the High Line’s Mutations series, Kurz created Salamanderbrunnen; a fountain that circulates Herba-4, Kurz’s imagined “herbal juice of the future,” asking us to imagine the new forms of nature that we create together.
Salamanderbrunnen will be on Exhibit at the High Line, Closest to the Gansevoort Street Staircase, Through April 2018.
Ah, California at Christmastime is a singular experience, filled with visions of kidney-shaped swimming pools expertly re-created by the pool replastering Orange County company and of course, oversized Pink Flamingo statues.
Because, why not?
Between 1890 and 1892, Jean-Léon Gerome (1824 – 1904) made both painted and sculpted variations of the theme of Pygmalion and Galatea, the tale recounted in Ovid’s Metamorphoses. All depict the moment when the sculpture of Galatea was brought to life by the goddess Venus, in fulfillment of Pygmalion’s wish for a wife as beautiful as the sculpture he created. This is one of three known versions in oil that are closely related to a polychrome marble sculpture, also fashioned by Gerome (located at Hearst Castle, San Simeon, CA). In each of the paintings, the sculpture appears at a different angle, as though is was being viewed in the round.
Photographed in the Metropolitan Museum of Art on NYC.
The last couple of times I passed by the Popaganda Pop Up Store on the corner of Washington and Gansevoort Streets in the meatpacking district, the shop was closed. So I’m not sure if it’s closed for good, or was just not open for business on those days. But anyway, that’s where I saw this cow.
Some forms of Japanese Buddhism are rooted in the Mahayana, or Great Vehicle, school of belief. They regard Gautama, the Buddha of India, as only one of an almost endless sequence of Buddhas reaching back over an incomprehensible span of years. However, Amida Buddha is considered the Buddha yet to come; his invocation has been particularly important in Japan.
Photographed in the Museum of Natural History in NYC.
PK SHOP is pleased to introduce an exclusive new edition by Nir Hod. Inspired by the artist’s Genius series of paintings of precocious and portentous children, the 11 1/2 x 7 1/2 inch chrome-plated sculpture is produced in editions of seven in four bold colors: gold, pink, and two additional colors that will be announced at a later date.
A meditation on beauty and loneliness, Hod’s poised and alluring young geniuses dwell in a world of paradox, where their cherubic cheeks contrast with their scornful expressions and lit cigarettes. Philosopher Roy Brand describes them as “…little demons without disguises. But they are also yearning, beautiful, and charming, and their narcissism is more a sign of internal happiness than of vanity.”
Entitled Nicolai, the series accentuates the vulnerability of these child prodigies by pairing the knowing expressions and eerie self-possession of the painted geniuses with the sculpture’s three-dimensional diminutive body. Referencing the seductiveness of luxury materials, Hod implements chrome for the first time with this series. The shiny high-polish of the chrome is transformative; the cutting edge medium transforms the traditionally-rendered sculpture into an object of the modern world. The mirrored surface of the work appeals to the viewer’s inner narcissist, while the rich colors reflect the vivid imagery of contemporary life.