I spent a couple of very fun and visually stimulating hours yesterday at the Louis Vuitton: 200 Trunks, 200 Visionaries exhibit, which is staged across three floors at the former location of Barneys on Madison Avenue and 61st Street. Admission is free and you can reserve your timed entry at This Link! This experience is very highly recommended by me!
In case you’re curious, the trunk featured in this room, by photographer Francesca Sorrenti, is below.
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While it was sad to say goodbye to Geoffrey, as he returned home to Los Angeles after a fun-filled week visiting me here in NYC, we added countess memories to our already bountiful cache of G and G Adventures and random good times! Here we are skipping to the front of the line at the Basquiat: King Pleasure exhibit, which you will be reading more about soon right here on The ‘Gig!
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Geoffrey and I happened to be at Grand Central Station recently, waiting to board a train out of the city for the afternoon, when we happily discovered that we had an interesting opportunity to pass the time other than exploring the terminal’s impressive food court: we went to see a Brooks Brothers fashion exhibit.
Geoffrey and I finally made it out to the Museum of the Moving Image today to see the amazing new Jim Henson exhibit, which was all kinds of crazy fun and well worth the haul out to Queens.
As soon as you enter the exhibit, just to the left there is a huge glass case full of assorted Muppets that aren’t necessarily the best known characters — but whom you would know if you are a diehard fan and have seen all of the shows — and one of them is this little gal whose name is Pink Stalk. She is kind of hard see because there is purposely not much light on the display, and I didn’t want to get kicked out for using my flash. To me, Pink Stalk looks like a Shrimp, but that seems to not be the case. Pink Stalk is just a stalk.
Here is the back story on Pink Stalk from a Muppet Wiki I found on my vey first Google Search attempt!:
Aggression is the title of a sketch featured in The Muppet Show: Sex and Violence. The sketch begins with two Heaps, who are described in the script as follows:
“Two really gross clumps of crud – fabric – feathers and foam – maybe just mouths – realistic red interior and teeth. One has a club, which he smashes the others with from time to time. The other hits with his fist. They just make guttural sounds to each other – dialogue is to show inflection only and is completely unintelligible.”
After the Heaps beat each other up for a bit, two Stalks enter. The Pink Stalk prompts the Gold Stalk to get acquainted with the Heaps. However, when the Stalk pokes one of the Heaps to get their attention, they both attack him. The Pink Stalk tries to pacify her injured friend, who survived the blow with a twisted nose.The characters featured are listed in the script as Green Heap, Purple Heap, Pink Stalk, and Gold Stalk (although the stalks refer to each other in the script as George and Martha).
The Flying Saucer Dress from Miyake Design Studio (Spring/Summer 1994, prêt-à-porter collection) represents a continuation of Japanese fashion design legend Issey Miyake’s exploration of pleating garments with a playful element. He explains, “The Flying Saucer was a search for what could be done with different sorts of pleating — in this case, accordion pleats — and to see what could be done by combining fabric, design and movement. Why not make brightly-colored, wearable accordion?”
