Tag Archive | Furniture

Eye On Design: Atlantic Crossing Dining Installation By David Scott Interiors for Roche Bobois

David Scott Interiors for Roche Bobois
All Photos By Gail

As promised, here’s another one of my favorite Dining By Design Installations from this year’s DIFFA event, as David Scott Interiors and renowned international luxury furniture brand Roche Bobois invite guests to an elemental dining experience aboard a luxury liner cruising the Atlantic.

Roche Bobois Seating Area

Thoughtfully crafted for modern entertaining, an ambient seating area splashed with hues of ocean blue and warm sunshine yellow transitions to a dining area evoking natural light reflecting onto wave-like water formations.

Roche Bobois Window Seat

A window seat provides the perfect perch to overlook a natural wonder in the water with Zaria Forman (@zarialynn)’s video artwork titled Ode to an Iceberg, fearing video filmed by Forman in Whale Bay, Antartica (courtesy of Winston Wächter Fine Art). While guests cruise along, similarly to artists’ hands, the wind and water sculpt the icebergs into unimaginable melting shapes.

Iceberg Lamp Detail

The unique installation features Roche Bobois’ iconic pieces such as the Bubble armchairs, Edito  lounge chair, Ava Bridge chairs, Voiles Dining Table and Nonette floor lamps. Architectural lighting is provided by Orsman Design and tabletop arrangements are provided courtesy of Nikko Ceramics and Les Ateliers Courbet with floral arrangements by Mark Rose Events.

Roche Bobois Dining Table

“Our design was driven by the sculptural quality of the pieces selected from the Roche Bobois collections,” says designer, David Scott. “The visual strength of the brilliant yellow Bubble chair and the dramatic shape and finish of the Voiles dining table is a striking pairing. Song Wen Zhong’s Ava Bridge clear dining chair is the perfect nod to Zaria Forman’s video piece . They look like they could melt away right in front of your eyes!”

Roche Bobois is proud to support DIFFA in its continuous efforts to fight the misconceptions and judgements against HIV/AIDS,” says Jennifer Barre, National Marketing Director for Roche Bobois. “We couldn’t be happier to have partnered with the amazing team of David Scott Interiors. They really brought a storytelling dimension to the space.”

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Eye On Design: Royal Festival Hall Chair By Robin Day

Royal Festival Hall Chair
All Photos By Gail

Robin Day’s prizewinning design for the Royal Festival Hall chair, created for entry into MoMA’s 1948 International Low-Cost Furniture Competition, helped to launch his career as an industrial designer. Day enjoyed a long-term consultancy with Hille, the chair’s manufacturer, as well as the establishment of a studio with his future wife, Lucienne.

Royal Festival Hall Chair

Epitomizing  the contemporary style and technological innovation of the 1951 Festival of Britain, the chair was featured in the couple’s Home and Gardens pavilion as well as in the lounge of the new Royal Festival. The chair also appeared in that year’s Milan Triennale and was soon put into production for an international market. Robin Day’s radical molded plywood seating design appears on the point of taking flight, as if lifted off its slender steel legs by the surge of energy and hope also expressed in the Festival of Britain that year. The lemon-yellow upholstery and copper-plated legs add to the extraordinary visual vitality of this sculptural piece.

Royal Festival Hall Chair

The fabric hung in the background (left) is by Austrian-born textile designer Marian Mahler, a contemporary of Robin and Lucienne Day. The yellow textile on the right is a length of Lucienne’s 1958 design Mezzanine, which was presented to the Museum by Denver-based Lucienne Day collectors Jill A. Wiltse and Kirk H. Brown III.

Robin Day Chair

Photographed as Part of the Exhibit, The Value of Good Design, on View at The Museum of Modern Art Through June 15th, 2019.

Robin Day Chair

Eye On Design: Fredrikson Stallard, Armchair Species II

Species II Installation View
All Photos By Gail

This bright red armchair that looks like it was chiseled from a boulder is actually sculpted from polyurethane foam and upholstered in a brushed velvet-like polyester, making it quite a comfortable place to rest. This chair (Species II circa 2015) is part of the Species series by London-based design duo Fredrikson Stallard, following their study in evolution through the media of furniture design. The designers claim that the chair was “created with a brute force that is at odds with ideas of comfort or human contact, yet so inviting by the nature of its materials.” I think anyone can see what they are getting at.

Species II Armchair

The pieces are further described as “amorphous structures, elements of sculpted mass, chaotic energy, finished in shades of red, as for Fredrikson Stallard these are the colors of life and death. Something along the lines of – “It couldn’t happen here, but then it did.” This is very much furniture, but not as we know it.

Fredrikson Stallard, Armchair Species III

Fredrikson Stallard’s Armchair Species II (2015) was Photographed in the Booth for the David Gill Gallery (London) at the Salon Art and Design, NYC, in November of 2018. Limited Edition, Direct Inquiries to David Gill Gallery Dot Com.

Species II Installation View

Eye On Design: Cast Glass Chairs By Marc Newson

Marc Newson Glass Chairs
All Photos By Gail

From the outset of his singular career, designer Marc Newson has pursued parallel activities in limited and mass production of functional design objects. Revisiting his roots as a jeweler and silversmith in an exhibition at Gagosian Gallery in Chelsea, Newson explores increasingly rare decorative techniques at an unconventionally large, even unprecedented, scale.

Marc Newson Glass Chairs

Newson’s Cast Glass Chairs (2017), made in the Czech Republic, are continuous symmetrical forms comprised of two hollow quarter-spheres. The boldly colored upper halves rest on clear bases, which absorb some of the reflected hues in their clouded interiors, an effect that subtly changes depending on the viewer’s vantage point.

Marc Newson Glass Chairs
When You Just Get Tired of Waiting for that Final Person to Move Out Of Your Way

Photographed in the Gagosian Gallery, Located at 522 West 21st Street, Chelsea Gallery District, NYC· The Chairs are on View in the Gallery as Part of a Larger Exhibition of Newson’s Limited-Edition Furniture and Artworks, Through February 20th, 2019.

Marc Newson Glass Chairs

Eye On Design: Crocodile Banquette By Claude LaLanne

Crocodile Banquette Front View
All Photos By Gail

Claude Lalanne (born 1924) is a French designer known for her eccentric works, which are often animal themed. She also worked with her late husband, Francois-Xavier Lalannne (19272008), under the name Les Lalannes.

Crocodile Banquette

Claude Lalanne’s gilt-bronze Banquette Crocodile is one of the designer’s most sought-after pieces, the realism of its reptiles coming as a result of a trip to the Paris zoo in 1972. It seems the designer had envisioned the creation of such a piece for quite some time but was in need of an actual crocodile upon which to base it.

Crocodile Banquette Rear View
Banquette, Rear View

As the story goes, Lalanne decided to put in a request to the city’s zookeepers for the remains of a crocodile, should one happen to expire of old age when nature took its course. And so a crocodile did pass away and, shortly thereafter, Lalanne went to collect her specimen in the company of fellow artist Niki de Saint Phalle.

Crocodile Banquette Installation View
Installation view with Claude LaLanne-designed Mirror and Candle Holders

Since then, the highly textured crocodile motif has taken shape in a number of her works, ranging from chandeliers to tables and chairs as well as the bench, which was designed in 2006, and cast in 2007 in an edition of eight with four artist’s proofs.  Most of these pieces have been sold at auction at Christie’s and Sotheby’s for anywhere from $500,000 to $1 Million each.

Photographed in the Paul Kasmin Gallery, Located at 509 West 27th Street in the Chelsea Gallery District, NYC, Where You Can See This Bench and Other Works By Les Lalannes on Exhibit Through March 9th, 2019.

Eye On Design: Ore Streams Filing Cabinet By Formafantasma

Filing Cabinet By Formafantasma Installation View 1
All Photos By Gail

Seemingly random bits of e-waste make up the Ore Streams collection of office furniture, designed by Italian duo Formafantasma.

Filing Cabinet By Formafantasma

Cabinet (2017)  is a clear glass-encased filling cabinet created from up-cycled aluminium computer cases embellished with a digital print of the surface of Mars, a reference to the extra-terrestrial origins of gold, which is widely thought to have arrived on earth via a meteorite shower.

Filing Cabinet By Formafantasma Front Detail
Cabinet, Front Drawer Detail

Formafantasma’s Andrea Trimarchi and Simone Farresin created cabinet and accompanying furniture series as part of their Ore Streams project, a two-year study into the current state of electronic waste recycling that proposes new approaches for designers working on gadgets. The furniture is designed as a poetic response to the findings.

Filing Cabinet By Formafantasma Detail
Cabinet, Side and Rear Detail

The pastel-hued metallic objects incorporate decontextualised bits of electronic waste, like the casings from iPhones and laptop keyboards. One cubicle features a pigeonhole formed from a microwave, while a rubbish bin is lined with gold scavenged from circuit boards.

Filing Cabinet By Formafantasma

The duo chose objects that were familiar within the office, but made them slightly odd and unfamiliar. In addition to the filing cabinet, the collection includes a table, rubbish bin, two cubicles, a desk, chair, lamp and shelf, all made primarily of dead stock.

Filing Cabinet By Formafantasma Installation View 2

Photographed in the Giustini / Stagetti Booth at the Salon Art and Design, at the NYC Armory in November of 2018.

Eye On Design: Presence – Absence Table By Germans Ermics

Presence - Absence Table
All Photos By Gail

Amsterdam-based designer Germans Ermics has worked extensively with frosted, ombre and colored glass in his furniture design studio. The Presence – Absence Table expands on his ideas with a design made from  hardened laminated glass mirror with graduation from 100% Mirror to 100% Red Glass. It is really quire stunning.

Presence - Absence Table

Presence – Absence was originally created in collaboration with Iskos – Berlin for the Side by Side Outside SE exhibition at the Danish Museum of Art & Design in 2017.  A statement on the table is below:

“The clearest way to perceive and define the world is through negation, through opposites:

We understand the meaning of light when it becomes dark; we first understand what our parents mean for us when they are gone; the presence of loved ones is truly grasped in their absence.
Presence and Absence walk together – Side by Side – as inseparable as day and night”

Presence - Absence Table

Photographed at The Salon Art & Design in NYC. Limited Edition of 8 Pieces, Available from Galerie Maria Wettergren, Paris.