Amsterdam-based designer Germans Ermics has worked extensively with frosted, ombre and colored glass in his furniture design studio. The Presence – Absence Table expands on his ideas with a design made from hardened laminated glass mirror with graduation from 100% Mirror to 100% Red Glass. It is really quire stunning.
Presence – Absence was originally created in collaboration with Iskos – Berlin for the Side by Side Outside SE exhibition at the Danish Museum of Art & Design in 2017. A statement on the table is below:
“The clearest way to perceive and define the world is through negation, through opposites:
We understand the meaning of light when it becomes dark; we first understand what our parents mean for us when they are gone; the presence of loved ones is truly grasped in their absence. Presence and Absence walk together – Side by Side – as inseparable as day and night”
Photographed at The Salon Art & Design in NYC. Limited Edition of 8 Pieces, Available from Galerie Maria Wettergren, Paris.
I saw many, many breathtakingly beautiful things at The Salon Art and Design show at the Park Avenue Armory, and one of most unusual items, which I am sure I will never forget, was this three-drawer dresser by designer Kam Tin, which is covered on three sides in meticulously curated pieces of genuine Baltic Amber.
Have you ever seen anything like that? For this dresser, which Tin creates to-order so that no two are alike, the natural amber pieces are polished and mounted on the dresser’s wooden frame, fitted with brass legs, and topped with a plate of Italian tinted glass. The piece measures 27.5ʺW × 19.7ʺD × 31.4ʺH.
Amber Drawer Surface Detail
Each piece of amber was hand-selected for its color and inclusions. This chest of drawers has a retail price tag of $57,000.
Designed by Kam Tin for Maison Rapin at Decaso, Paris, France.
The only reason I happened to walk by this dismantled Pink Desk, abandoned at the curb of an East Village side street waiting to be carried off to the landfill, is that it was a public holiday and I had an appointment with a plate of Perogi at Veselka. If you look closely, you’ll see a pair of horn-shaped protuberances peaking out from behind the drawer, which has been pulled out and laid on the desk surface, and you can extrapolate that this was once a young girl’s Vanity table that is now missing its mirror.
I bet it was well-loved by its previous owner. Maybe, after I went on my way, someone picked it up and took it home to make a few repairs and give it a new life. One man’s trash is another man’s treasure.
Marc Camille Chaimowicz (b. 1947) is a London-based, cross-disciplinary contemporary artist whose works challenge the categorical divisions between art and design. His recent career retrospect at the Jewish Museum (which was the artist’s first solo museum exhibition in the United States) transformed the entire second floor of the former Warburg family mansion from an exhibit showcase into a series of fantasy tableaus pristinely curated with unique and whimsical home furnishings and décor. This room was my favorite. Let’s take a closer look at the pieces that make up this dream-like living room set.
Blue Velvet Give and Take Sofa and Pink Glazed Ceramic Rope Vase.
Maquette for Give and Take Sofa
Stainless Steel Magazine Rack with Diamonds Cut Outs
Photographed as Part of the Exhibit, Your Place or Mine, at the Jewish Museum.
Items Shown Left to Right : One Meter Lamp (2016), Glazed Ceramic Rope Vase (2014) Give and Take Velvet Sofa (1994) Stainless Steel Magazine Rack (2014)
This spectacular bureau cabinet reflects the European fascination with Japanese and Chinese luxury goods in the early eighteenth century.The bright red surfaced imitated Asian lacquer, which was made from materials not available in Europe.
The motifs evoke the people and sights of the Far East, but they reflect the limited knowledge and stereotyped views that Europeans held of these distant countries. at the time the cabinet was made, this technique of using imitation lacquer was called “Japanning.” The original owner may have displayed small Asian porcelains in the upper niches of the cabinet.
Photographed in the Clark Institute in Williamstown, MA
In Verner Panton’sNotes on Color, the Danish designer stated:
“In Kindergarten, one learns to love and use colors. Later on, at school and in life, one learns something called taste. For most people, this means limiting their use of colors.”
The design career of Verner Panton (1926 – 1998) reached its first peak toward the end of the 1950s. With a furniture series based on simple geometric shapes, Panton anticipated elements of Pop Art, while also emulating the elegance of Scandinavian Modernism in the execution of the bases.
The most famous designs from this series are the Cone Chair and the Heart Cone Chair (1959). The Heart Cone Chair takes its name from its heart-shaped silhouette. The extended wings of the backrest are reminiscent of Mickey Mouse ears, but can also be interpreted as a contemporary development of the classic wingback chair.
Photographed at the Cooper Hewitt Design Museum in NYC.
You’ve seen the fabulous and boldly colorful designs of PolArt furniture on The ‘Gig many times before, and these flocked busts in a bright magenta pink hue might just add the ideal classic accent for your own home! Surely they would go perfectly with something like This!
Photographed at The ICFF 2018 at Javits Center, NYC!