The Bauhaus, an art and design school founded in Germany in 1919, trained it students to work with industrial producers to manufacture affordable household objects that exemplified efficient design.
Bauhaus designers found inspiration in pure geometric forms, and American designers quickly adopted this aesthetic, radically paring objects down to basic shapes that were easy to fabricate mechanically. The stacked cylinders of this Table Lamp (1935) evoke the moving cogs of machinery and exemplify the simplified beauty of industrial, everyday modernism.
Photographed the Metropolitan Museum of Art in NYC.
When I’m out in the city window shopping, nothing attracts my attention like the sight of Neon, and Pink Neon, especially. This Pink Neon silhouette of a reclining nude was spotted through the front window (which, as you can see, also features some attract neon signage) of Bulletin boutique on Prince Street in SoHo. Find out more about Bulletin at This Link.
Bulletin is Located at 27 Prince Street in SoHo, NYC.
Donald Deskey (1894 – 1989) creator of the interiors at Radio City Music Hall, is a towering figure of modern design. This Art Deco Lamp (circa 1927) is a response to the upward thrust of the New York City skyline. Its boxy proportion echo a tall, narrow building, while on the two side panels, rectilinear puzzle-like patterns similarly evoke compressed architectural forms.
The use of frosted glass in different textures activates the lamp’s surface, even as it diffuses the emitted light, and its compactness attests to Deskey’s awareness that he was typically designing for small domestic interiors.
Photographed in the Metropolitan Museum of Art in NYC.
We saw these gorgeous light fixtures at ICFF and just fell in love with their Rococo look! Not only are they beautiful to look at, but the story behind them is also fantastic! Dutch designer Piet Hein Eek’s work embodies the concepts of transformation and reinvention. Spanning furniture design, architecture and fine art, Eek elevates discarded, quotidian and unorthodox materials into pieces that make a strong case for the Design-as-Art conversation. This is likely why Eek was presented by Paris-based glass lighting manufacturer Veronese with a dream job: to give a second life to their found glass pieces.
The project began when Veronese’s creative director Ruben Jochimek came across a forgotten stockpile of spare glass pieces — all hand blown by skilled Italian artisans of Murano — in the basement of their Parisian showroom. Comprised of over one-thousand pieces, the collection had been building up since 1931. These ornate glass pieces — stored on dusty shelves for nearly a century — included crafted cups, drops, rings and flowers.
Piet Hein Eek took Veronese’s found glass objects and came up with the Past and Future collection of chandeliers! An eclectic feast of styles and colors, the resulting product blends glass parts from different collections, giving a second life to Veronese’s long-forgotten glass pieces. Upcycling at its finest!
The lamps are made of 40cm glass tubes, equipped with LED lighting into which the spare parts can be slotted. Each model is 40cm high and 25/30cm in diameter, creating a suspension composed of three modules. The tubes can also be assembled to create longer chandeliers. Visit Veronese online at This Link!
Photographed at the ICFF 2017 at the Javits Center, NYC
On the lookout for cool Pink Things at the ICFF, we spotted this ‘illuminating’ design by UIC student Maria Diamond. Emby, a bud-shaped sculptural lamp, is made from fluorescent pink sheets of acrylic. This type of acrylic is unique in that it has colored edges that have a natural glow to them. Its light source — an LED puck light that is also covered by acrylic — was placed to shine downwards into the acrylic, forcing it to refract through the curves and the etched contours of this organic form. Inspired by the form of a flower, the acrylic was heated and shaped in a way that best-defined the edges, to create a rosy glowing lamp. Stunning!
I contacted Maria via email, and she provided additional background on the piece:
“The project brief was to select a material from a list given to us as students, and then come up with a house good that best exemplifies the properties of that material. In my case, what is unique about acrylic is that some [types] have colored edges that have an inherent glow. Acrylic is also a thermoplastic, so I laser cut a flower-inspired shape from the sheet of acrylic and cooked it in my oven, which allowed me to bend the petals upward, as I wanted to highlight the petals’ edges.”
The designer continues, “I thought it was interesting to have the puck light be its own piece, because most people would assume the central placement of a light would shine up and out of a form. Instead, I did the opposite; that, when turned on, the source of light providing the natural glow from the edges is questioned. Maria is selling this design for $180 and is open to making additional lamps in different colors. You can contact her by leaving a message in comment section!
A couple of weeks ago, we made a run by Chamber on West 23rd Street to check out their newest collection of functional, limited edition artworks and home goods. As usual, more than a few items piqued our interest. We especially like this lamp by London-based blown glass artist and designer, Jochen Holz.
The Neon Desk Light is a unique, freestanding light sculpture made of free formed borosilicate glass tubing. Each is one of its kind and part of a small edition. Says Holz about this creation, “I am using much bigger tubing diameters and wall thicknesses to create shapes which couldn’t be achieved with conventional neon making. The forms play with the light emitted by the different rare gases, the undulating tube subtly manipulates the light, softening and intensifying it in turns. There are no coatings or filaments, just the pure light radiating from within the tube. The lights have an estimated lifetime of about 30 to 40 thousand hours.”
This fun modern lamp also comes in Red. Contact the store at email@example.com for pricing.
Photographed at the Chamber Boutique on 23rd Street, West of the High Line / 10th Avenue.
Dubbed the Prince of Plastic by the New York Times, Neal Small (b. 1937) lead a craze in the late 1960s for sculptural lighting and furniture made from plastic and acrylic. “I like to think of it as all part of the new permissiveness,” he commented. ‘I Know that I am being more permissive with myself and the designs I allow myself to make — making fuller, more sensuous things. People are permitting themselves in every area, whether it’s music, with The Beatles and The Stones, architecture or clothes. They are allowing themselves things that please them personally. You don’t have to invest in things forever anymore. Lighting is getting to be an art form.”
Area Lamp (model 1112), 1966 -67 was Photographed in the Museum of Modern Art in NYC.