All Photos By Gail

Patti Warashina’s Kilns series subversively undermined the macho “cult of the kiln:” a phrase used to coin the sexist culture that surrounded kiln-building during the mid-twentieth century. As a ceramics student at the University of Washington, Warashina observed that kiln-building lessons were directed towards men, while surface decoration was the jurisdiction of women. Continue reading Modern Art Monday Presents: Patti Warashina, Gold Finger →