Yes, I know it’s way too early for Christmas but I could not resist showing you these delicate, ice Pink Hamsa Hand tree ornaments by Cody Foster & Co, the same people who make the highly collectible David Bowie Ornaments that I wrote about last December. In the months between now and the holiday season, perhaps you can find other uses for them in your home decor, such as hanging one above a home alter?
Photographed at the NY Now Winter Market at Javits Center.
Furniture designer Misha Kahn’s work exists at the intersection of design and sculpture, exploring a wide variety of media and scales. Kahn’s approach melds an array of processes, from casting, carving, welding and weaving, to imaginative and singular modes of production. According to John Maeda, former president of the Rhode Island School of Design (where Kahn earned his BFA in furniture design in 2011), “Misha creates work for a parallel wonderland, where traditional perception of material and structure is pushed to the edges of the room to make space for one big party.”
This whimsical wall sconce, with its crown-like polished bronze fixture and extended lime green glass hand takes its name from the French word for ‘enchanted,’ which is commonly translated as ‘nice to meet you.” You might also hear “Enchanté” uttered by a character in a cheesy movie while kissing the back of a lady’s hand, which I am told is considered rude.
This piece is produced on-demand and can be purchased for $18,000 at this link.
Photographed in the Friedman Benda Gallery Booth at The Salon Art and Design in New York.
It’s been a few weeks now since I first noticed the Green Monster Hand giving what looks like some kind of a two-finger salute of unknown meaning (I don’t think the fingers are spread apart enough to make it a proper peace sign, but I could be wrong). I can’t say when exactly it went up, but considering I pass by this block (Avenue B between 13th and 14th Streets) almost daily, I think it’s relatively new.
Little is known about Costo Archillopoulo, the designer of this table (circa 1934), which is both a functional piece of furniture and a fantastical Surrealist sculpture. The glass tabletop rests improbably atop small balls balanced on the tips of three delicately tapering fingers, generating a sensation of tension and unease.
Disembodied hands and gloves are recurrent motifs in Surrealist art, with the left hand, in particular, symbolizing the irrational. The cloudlike element from which the hand emerges also suggests a transition from the conscious to the subconscious world.
Photographed in the Metropolitan Museum of Art, NYC.