Tag Archive | MAD

Eye On Design: Studded Levi’s Denim Jacket By Billy Shire

Studded Levis Denim Jacket
All Photos By Gail

In 1974, Billy Shire was working on a Studded Denim Jacket to advertise his studding business, and decided to enter  it into the Levi’s Denim Art Contest. His entry, Welfare (1975), which won the competition, is embellished with eleven pounds of rivets, rhinestone rim sets and oversize upholstery tacks typically used on leather and furniture.

Studded Levis Denim Jacket Detail

It also incorporates an ashtray and a hotel desk bell, which chimes while the jacket is being worn.

Studded Levis Denim Jacket Installation View
Installation View with Jacket on Far Right

Studded Levis Denim Jacket Installation View

Shire has created stage costumes and street wear  for Elton John, as well as members of the bands Chicago and The Doobie Brothers

Theses Photographs were Taken at the Exhibit, Counter-Couture: Handmade Fashion in an American Counterculture  on Display Through August 20th, 2017 at the Museum of Arts and Design, Located at 2 Columbus Circle (at 58th Street and 8th Avenue), in NYC.

Studded Levis Denim Jacket Photo

Advertisements

Chris Antemann’s Forbidden Fruit at The Museum of Arts and Design

Forbidden Fruit
All Photos By Gail

If the idea of bearing witness to dozens of tiny, semi-clad porcelain figurines that appear to be on the cusp of indulging in a bacchanalian orgy floats your boat, have I a got an art exhibit for you. Chris Antemann’s Forbidden Fruit — up now at the Museum of Arts and Design — celebrates the collaboration between the Oregon-based artist and Meissen, the renowned manufacturer of fine Porcelain.

Forbidden Fruit Detail
Detail from Above Photo

In 2011, Antemann was invited to participate in Meissen’s Art Studio Program, where she worked closely with Meissen’s master artisans to create unique pieces and a series of limited editions that strike a perfect balance between her distinctive style and Meissen’s identity. These pieces are arranged in Forbidden Fruit as a grand installation that reinvents and invigorates the great figurative tradition.

Forbidden Fruit Installation View

Inspired by eighteenth-century porcelain figurines and decorative art, Antemann’s delicate and intricately detailed sculptures are lavishly presented on a central banquet table alongside a selection of stand alone sculptures and a nine-light porcelain chandelier. Her centerpiece, Love Temple (2013), is inspired by Meissen’s great historical model of Johann Joachim Kändler’s monumental Love Temple (1750). Stripping the original design back to its basic forms,  added her own figures, ornamentation, and flowers to her five-foot work, as well as a special finial with three musicians to herald the arrival of guests to the banquet of “forbidden fruit” below.

Love Temple Detail

Forbidden Fruit

Forbidden Fruit

Using the Garden of Eden as her metaphor, Antemann has created a contemporary interpretation of the eighteenth-century banqueting craze by inserting her scantily clad male and female figures.

Forbidden Fruit

Forbidden Fruit

Posed in intimate and playful vignettes of seduction, Antemann’s figures convey narratives of domesticity, social etiquette, and taboos while making formal references to classic Baroque Meissen figurines. The ceramist invents a new narrative on contemporary morality in a setting that evokes the decadence of François Boucher and Jean-Antoine Watteau.

Forbidden Fruit

Chris Antemann’s Forbidden Fruit will be on Exhibit Through February 5, 2017 at the Museum of Arts and Design, Located at 2 Columbus circle (58th Street) in NYC.

Forbidden Fruit

Forbidden Fruit

Forbidden Fruit Installation View

Goblet Collection at the Museum of Arts and Design

Three Blue Goblets
All Photos By Gail

If you happen to pay a visit to the Museum of Arts and Design, be sure to take the stairs to travel between floors, because it is in the stairwell that you will find the museum’s stunning goblet collection.

Full Goblet Display

MAD’s collection of goblets reveals the diversity of approaches taken by artists and designers to create this common vessel. The goblets range from those inspired by historic Venetian masterworks to mass produced pieces, to non-functional works by artists who make reference to the basic form.

Zipper Goblet

There are advantages and disadvantages to having the goblets right up against the glass window, in that the natural light and transparency create favorable display conditions, but it’s challenging to get photos that don’t have, say,  a crosstown bus, or the facade of the CVS Drug Store across the street in the background. First World Problems.

Four Goblets

Open 24 Hours!

Deco Goblets

The center goblet, above, appears to pay homage to Bee Keeping. Nice.

Spiny Goblet

The orange, spiny goblet reminds me of some of the pieces in This Post.

Red Double Goblet

I love that this one has a collection of tiny goblets inside the cup!

The Museum of Arts and Design is Located at 2 Columbus Circle in NYC.

Ralph Pucci: The Art of the Mannequin at the Museum of Arts and Design

Ralph Pucci Signage
All Photos By Gail

Andy Warhol was a pioneer in bringing the commercial image to the world of fine art, and now it’s always fun and fascinating to see how ubiquitous pop culture images, such as the department store mannequin, come into being through a fine art process.

Three Mannequins

Ralph Pucci: The Art of the Mannequin is the first museum exhibition to explore the work of renowned New York-based designer Ralph Pucci, who is widely regarded for his innovative approach to the familiar form of the mannequin. Having collaborated with luminaries such as Diane von Furstenberg, Patrick Naggar, Andrée Putman, Kenny Scharf, Anna Sui, Isabel and Ruben Toledo and Christy Turlington, Pucci’s mannequins not only expand the parameters of this ubiquitous sculptural form, but reflect major cultural trends of the past three decades.

Scharf Mannequin and Others
Plus Size Mannequin next to Swirly Mannequin Deigned by Artist Kenny Scharf

As Pucci was building his business in the 1970s, the notion of the Super Model — the living mannequin with a personality — emerged. Pucci captured this catalytic moment in his work, finding inspiration from sources as varied as Greek and Roman statues and the performance costumes of the New York Dolls.

Yoga Mannequin and Others

Pucci personified the previously anonymous form in new and challenging ways, creating visions of physical beauty that were more specific, empowered, and diverse than the fashion industry had previously allowed. More than commercial armatures or sculptural forms, his mannequins became agents of change in our attitudes to the body, to fashion, and to individual identity.

Studio Recreation 1

Studio Recreation 2

In addition to over 30 of Pucci’s most important mannequins The Art of the Mannequin, features an in-gallery recreation of his sculpture studio, and short films you can watch in the gallery that reveal the step-by-step process on mannequin making, which is extremely enlightening. Pucci’s master sculptor and longtime collaborator, Michael Evert, will be in residence during the exhibition’s run to give visitors a first-hand look at the creative process, from initial modeling in clay to the rendering of the fiberglass end-product.

Studio Recreation 3
Scharf Heads
Mannequin Heads By Kenny Scharf

Ralph Pucci: The Art of the Mannequin will be on Exhibit Through October 25th, 2015 at the Museum of Arts and Design, Located at 2 Columbus Circle in NYC. Visit This Link for more information.
Red Mannequin

Vivian Beer’s Anchored Candy Chair

Anchored Candy Chair 1
All Photos By Gail

Vivian Beer’s Anchored Candy Chair may remind you of a stiletto-heeled shoe, or perhaps the sleek styling of a sports car.

By fusing such gendered images, Beer highlights both the obvious differences and the more subtle overlap between masculine and feminine consumer forms.

Tuffet Seat

The red Tuffet seat is the first in a new series inspired by the pieces of industrial scrap metal left over from laser cutting. Beer replicated the cut out look of these fragments on a computer, adapting a pattern from a screen by the Art Deco metalsmith Edgar Brandt (1880 – 1960).

Anchored Candy Chair

Like many women in the historical section of the Pathmakers exhibit, Beer studied at the Cranbrook Academy of Art in Michigan, which continues to be a center for creative innovation across all disciplines.

Anchored Candy Chair

Since receiving her MFA in 2004, Beer has become well known for her use of industrial materials such as steel and concrete to create sensuously curved seating.

Anchored Candy Chair Detail

Vivian Beers Anchored Candy Chair is part of the Exhibit Pathmakers: Women in Art, Craft and Design, Midcentury and Today, at the Museum of Arts and Design, Located at 2 Columbus Circle, NYC, Through September 30th, 2015.

Kidrobot & Swatch Design Collaboration Launches

Click Image to Enlarge

Today, August 18th 2011, marks the worldwide launch of the highly anticipated Kidrobot x Swatch collaboration. To celebrate this pairing of artist-designed watches and matching Dunnys (Kidrobot’s signature 3-inch vinyl rabbit figure), Swatch is hosting events in eleven countries around the globe, featuring appearances by Kidrobot artists Frank Kozik, MAD, Tara McPherson, Jeremyville, Tilt and Joe Ledbetter. Additional Swatch / Dunny designing artists not participating in the events are Gary Baseman (a favorite here at the Worley Gig) and SSUR. The 3-inch Dunny and Watch sets will be available for sale beginning on September 1, 2011  for $70.00 each.

The Events Schedule is As Follows:

Shanghai, China – August 18
Swatch Art Peace Hotel
Featuring Frank Kozik, MAD and Tara McPherson

Tokyo, Japan – August 20
Tokyo Shibuya/Harajuku (Dictionary Club)
Featuring MAD

More Event Listings After the Jump! Continue reading

Must See Art: Dead Or Alive at The Museum of Art & Design

Fabian Pena’s Skull Made From Fragmented Cockroach Wings

If you are looking for an unforgettable “Oh Wow,” experience to take you away from the mundane and fill an hour or two of your all too limited leisure time, look no further than Manhattan’s Museum of Art & Design (MAD), where you’ll find one “Oh, Wow” reaction after another on the two floors occupied by a unique exhibit called Dead or Alive. Brought to you by the creative minds of over thirty international artists, Dead or Alive features sculptures and installations made up of such things – some formerly living, some merely by products – as botanical specimens, feathers, silk cocoons, bones, hair and insects. If you enjoy the idea of The Museum of Natural History filled with the work of Damien Hirst (who is also a participant) this exhibit is for you.

The Apothecarium Moderne

While I was pretty much blown away by each work, I was especially fascinated by Tim Tate and Marc Petrovic‘s collaborative installation, The Apothecarium Moderne, which resembles a 19th century apothecary. Take a closer look though and you’ll see that the contents of these bottles represent cures for modern day ills such as Loss Of Faith, Financial Insecurity, Identity Theft and Erectile Dysfunction.

Levi Van Veluw Landscape Self Portrait
I really loved Jennifer Angus’ insect-occupied dollhouse set against a background covered with thousands of exotic dried insects pinned to mimic the designs of vintage wallpaper. There was also an amazing light installation matrix of mounted wire cubes filled with tiny white lights, each light contained within a dandelion seed puff. So beautiful. Oh wow, you really must check out this exhibit. The best part is that you have lots of time to see it, and then see it again.

Dead Or Alive at The Museum of Art & Design, located at 3 Columbus Circle (near 59 Street and Central Park West) runs through October 24, 2010. Admission is $15.00.

Christy Rupp’s Dodo, Mauritius (2007) Made From Fast Food Chicken Bones

Mad Cow By Billie Grace Lynn, Full Cow Skeleton Covers Working Motorcycle