Photo By Gail

With an expressive composition of interwoven shapes in black, red and orange, Carmen Herrera’s  Iberic (1949) oscillates between the geometric and the organic. Herrera painted this work during a formative period in Paris between 1948 and 1954, when she experimented with different modes of abstraction informed by the European avant-gardes, from Suprematism to the Bauhaus.  Continue reading Modern Art Monday Presents: Carmen Herrera, Iberic →