Excerpted from a Textual Analysis by Frank D’Antonio:
James Rosenquist’s Volunteer is dated 1964, but, according to Rosenquist, [it was] finished shortly before the assassination of President John F. Kennedy.
I think one of the coolest things about this painting is the use of fragmented symbols to depict the American life in the mid 20th century. The washing machine in the upper right speaks to a viewer as a symbol of American technological progress. The man in the business suit speaks as a symbol of how the American professional was dressing during this time. The ice cream speaks of American’s desire for “gustatory pleasure” (James Rosenquist. Volunteer. 1964. Art Institute of Chicago). Continue reading Modern Art Monday Presents: James Rosenquist, Volunteer