It looks like street artist Mr. OneTeas is at it again with his very fun Wack Donald’s Project, in which he paints the clown face of Ronald McDonald on various pop culture icons. I spotted John Lennon and Alfred E. Newman side by side on a traffic barrier at 26th Street and 11th Avenue in the Chelsea Gallery District.
Oh, what a night! Thursday, September 6th, 2012 not only marked the party-filled kick off of Mercedes Benz Fashion Week here in NYC, but the evening also launched the reopening of many of our favorite Chelsea art Galleries after a too-long summer of dormancy. Well into the balmy evening (summer ain’t over yet!), the streets of Chelsea were as teaming with excited art fans as Times Square is with tourists at midday! The Art is back!
We started off our evening’s crawl on 28th Street with a much-anticipated visit to the Joshua Liner Gallery – where we try to never miss an opening reception! Currently, Liner is hosting Stephen Powers’ A Word is Worth a Thousand Pictures, which is just fantastic fun!
In this new exhibition series, Powers presents a panoramic assemblage of enamel on aluminum paintings that occupy both gallery rooms. These colorful and engaging works – which reminded me a bit of the complex Rebus Puzzles of the Concentration Game Show — range from 10-by 8-inches to 8 by 16-feet.
Stephen Powers is perhaps best known for public artworks that fuse sign painting, graffiti, words and images, and he creates a new form of public art that is collaborative and personal. I enjoyed finding clever messages hidden in the larger works and isolating various details which emphasize the paintings’ wry humor. If you are a fan of Mad Magazine or The National Lampoon, Powers’ work will certainly resonate with you. See some of those details below.
Stephen Powers’ A Word is Worth A Thousand Pictures will be on exhibit through September 29, 2012 at the Joshuia Liner Gallery, Located at 548 West 28th Street, 3rd Floor, New York City. Gallery Hours are Tuesday — Saturday 11:00 AM — 6:00 PM
See more photos and read Geoffrey’s take on the exhibit at This Link.