Photo By Gail
In 1956, Atsuko Tanaka (1932 – 2005) gave a performance while wearing a sculpture called Electric Dress, which was made from 200 blinking incandescent lightbulbs, and tubes covered in red, blue, yellow and green enamel paint. The concentric circles and circuitous lines of this Untitled painting were directly inspired by that performance.
Continue reading Modern Art Monday Presents: Untitled By Atsuko Tanaka
Art is the best invention of humankind. By taking part in activities such as songwriting, drawing pictures, or crafting with clay, we materialize the visions in our heads. These experiences allow people to develop their creativity and writing skills. But how does this process occur, and how do people improve their versatile skills through art? Here’s what you should know.
Continue reading How Art Can Help Develop Your Creativity and Writing Skills
Photo By Gail
In 1941, while convalescing from a serious illness, Henri Matisse devised a fresh approach to his interest in repeated motifs: a drawing series that he would published in 1943 as Themes and Variations. Comprising 162 drawings organized into 17 groups, the series mostly depicts female figures reclining or relaxing in chairs. This example, Woman Resting in an Interior (1941) is characterized by the contrast of charcoal and paper and of flatness and depth, as well as by its fluid, energetic line. Other studies in Themes and Variations use a much cleaner line to render the subject. As a whole, the series demonstrates the artist’s commitment to capturing a drawing’s essence through serial reworking.
Photographed in the Morgan Library in Manhattan.
Photo By Gail
Amedeo Modigliani’s mother wrote that at about the age of fifteen the artist attended is first seance. His youthful spiritual and esoteric inclinations took him in the direction of the occult, reflected in this drawing, Portrait of a Medium (1906), made from memory, of a session he attended in Venice, where he studied for two years before coming to Paris.
Photographed in the Jewish Museum in NYC.
Photo By Gail
Max Ernst was fascinated with microscopic images, which were first broadly distributed in the early twentieth century. For The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (1921), he created an overpainting on the ambitious scale of traditional oil painting by using a commercially available teaching chart. Ernst inverted the found poster, which contains magnified views of brewer’s yeast cells, and selectively painted in a black background. He then painted gears and bands, as well as humanizing details including eyes, noses, limbs, and whiskers to create a virtual circus of tightrope walkers, clowns and cyclists. The inscription lands amusing sexual connotations to the hairs, orifices and protrusions of these microorgasms.
Photographed in the Museum of Modern Art in NYC.
