Mariechen Danz (b. 1980, Dublin, Ireland) is a Berlin-based artist who researches representations of the body, investigating the way it has been given meaning in various cultures, epochs, and fields of knowledge. In her installations, performances and music, often in collaboration with other artists and musicians, the human body emerges as a contradictory structure and a scene of conflict — an utterly contaminated zone, both politically and historically.
Torso Section, Detail
For the High Line, Danz presents a new iteration of The Dig of No Body, a sculpture that references anatomical learning models segregated into individual parts, like a life-sized soil sample in movable layers.
Arm Section, Detail
The work evokes our changing relationship to the earth, as well as the popular contemporary name “Anthropocene,” which suggests humans’ creation of a new geological era.
The Dig of No Body is Part of the Group Exhibition Agora, On Display Along The High Line Through March of 2019.
On the way to the laundromat with a load of clothes, I passed by this spray-painted gold, female mannequin torso, which has been discarded curbside, atop an old wooden cabinet, and other assorted detritus, on East 14th Street in anticipation of the weekend garbage pick up.
I can’t say if the black magic marker designs on the nipples is part of the artwork, or just the evidence of neighborhood teenage boys acting like juvenile idiots.
She had additional “comments” scrawled in the same black marker on her backside. I can only assume they were rude in nature.