Even if you’ve been attending New York’s biannual Affordable Art Fair for the past decade, you’d be forgiven for mistaking the blocks-long queue snaking east from the Metropolitan Pavilion for that of yet another big retail chain’s going-out-of-business sale. On my way to the Wednesday night Private View, I thought maybe the Container Store was in its final days, so it was kind of crazy to realize that the line lead directly to my destination, meaning the AAF is back post-Covid as a bona fide social event, attracting an eclectic group of VIPS, art enthusiasts, collectors, and assorted fans. Judging by the body-to-body crowd and vibrant atmosphere inside the venue, art events have entered a new, new normal. Welcome to it.
This Twiggy London Girl Dress (1966) was part of a product line by British teenage model Twiggy, so nicknamed due to her skinny, twig-like frame. The short, A-line construction plays on the silhouette that many designers were working with during the 1960s to free wearers from the heavily structured styles of the previous decade.
Twiggy came to embody the increasingly thin, youthful ideal of the ’60s and remains a key reference in debates about body image.
Photographed in the Museum at FIT in Manhattan as part of the Exhibit, The Body: Fashion and Physique, on View Through May 5th, 2018.