On Easter Sunday, the place to be was Tompkins Square Park, where friendly and festive East Village neighbors dressed in their most colorful finery for some kind of Easter Bonnet Festival — which may or may not be a returning annual tradition. There were dozens of great looks, but this lovely Lady in Pink was my favorite for obvious reasons.
I’m not sure who is trying to make the Fanny Pack come back into style, but I admit that I was at least a wee bit tempted to snatch up this iridescent Pink version of the reviled fashion accessory when I saw it hanging from a display at the local Lot Less closeout store on 14th Street. Only $4.99 – what a bargain!
In this week’s Design post, we are going to step out a bit and have some fun exploring the world of the X-Men comics, checking out what all the cool Mutants wear when they head out to do some serious partying!
This June, the Hellfire Trading Company invites readers everywhere to the inaugural Hellfire Gala to announce the first team of Krakoan X-Men to the world and unveil the startling plans that mutantkind has in store for the Marvel Universe. The Hellfire Gala will unfold in issues of your favorite ongoing X-Men series as well as Planet-Size X-Men, a special double-sized one-shot. These twelve issues will all center around a single night that will go down in Marvel Comics history and while it’s too early to reveal the world-shattering steps mutantkind is about to take, one thing is for certain: the X-Men have never looked better!
More Mutant Couture, After The Jump!
It may be difficult to discern in the dim museum lighting, but the front of this bright Pink Dress features the scene of a rocket launch, and was created in 1968 by American graphic artist Harry Gordon at the height of the international space race.
An identical rocket image adorns the dress’ back. This and other screen-printed paper dress designs by Gordon were manufactured by UK-based company Poster Dress, Ltd. Selling for about $3.00 each and fabricated from tissue, wood pulp and rayon mesh, the dress came with the proclamation: ‘Toughness is woven into the non-woven fabric for long, l-o-n-g wear, and should you tire (which is doubtful), just cut open all the seams and hang it on your wall as a mammoth poster.’
Photographed in The Museum at FIT in Manhattan.
Pomchies, the Arizona based company that launched the now popular Pom Mask line in response to the need for comfortable, breathable face masks at the onset of Covid19 has just expanded the line to include double-layered, reversible masks with a filter pocket, along with fresh spring colors and patterns, children’s mask two-packs and new Pom Mask holders.
The new double layered Pom Masks are reversible and designed with a pocket for filter insertion. Color combinations currently include choices such as Navy and Black (pictured above), Black and Bottle Green, Grey and Black, Camo and Black, Snake Skin and Grey, Leopard and Black, and Dragon Fruit (bright Pink) and Aqua — so you can stay fashionable while keeping safe at all times! Pomchies keeps sustainability in mind with two of the masks being made from Repreve fabric, which is produced from recycled water bottles.
Post Continues After The Jump! Continue reading Pomchies Announces New Two-Layer Pom Masks and PPE Accessories!
Among the most popular types of evening wear during the 1920s were loose, sleek, chemise-style dance dresses with sleeveless armholes and wide-cut necklines, which could be pulled directly over the head.
Profuse embellishment, often consisting of glass and metal components that would capture and refract light when in motion, counterbalances the minimalism of form. This 1920s Evening Dress by an unknown, possibly French or American designer, is made from a yellow cotton plain weave embroidered with gold metal paillettes, gold glass bugle beads, clear glass beads and seed beads, and clear glass crystals. These extravagant fashions were devised to glimmer within modern environments newly illuminated by electricity. They also mirror artistic tendencies at the time, such as the Art Deco attributes of geometric lines and shapes, contrasting metallic tones, and an overall streamlined modernity in form.
Photographed as part of the Exhibit In Pursuit of Fashion: The Sandy Schreier Collection, which closed in early 2020, at The Metropolitan Museum of Art in NYC.