Exaggerated proportions and visual intricacy define this maximalist ensemble by Comme des Garçons. The elaborate coat and bodysuit, in various fabrics including cotton, wool, nylon, polyester and linen — and in assorted shades of pink, red and white, are part of the Spring 2018Multidimensional Graffiti collection, which appropriated the works 10 artists ranging from the 16th century to today.
Shown Here in Contrast to a Minimalist Design By Narciso Rodriguez (Left)
According to Women’s Wear Daily, the result was a mash-up of prints and textures that allied to “the possibilities inherent when wildly unlike visual perspective coexist.”
Photographed as Part of the Exhibit Minimalism / Maximalism at the Museum at FIT in Manhattan Through November 16, 2019.
I saw this fabulous Pink Metallic Mesh Dress in a store on Greene Street in SoHo when I was party-hopping during the Open Showrooms evening that closes out the two-week long NYCxDesign event.
Here’s a detail shot of the mesh that I managed to get, even though at this point I was already too tipsy to remember to note the name of the store I was in. Oops.
The camera roll on my phone tells me that pictures of the dress were taken at 31 1/2 Greene Street, but I looked up that address and I am pretty sure it was south of that exact location. It sure is a great-looking dress. I would wear it.
By the 20th century, wool suits and coats were indispensable, practical elements of fashionable daywear for women. Double-faced wool, used here by designer Mila Schön for her Blue Coat (1968) is woven almost as two separate textiles, joined by a set of interwoven yarns, creating a thick, structural, spongy fabric.
The textile’s density supports this A-line silhouette, while the wool’s pliability eases the inset of Pop Art circles. The hems were self-finished by opening the layers and stitching the edges to the inside.
Photographed as Part of the Exhibit, Fabric in Fashion, on View Through May 4th, 2019 at The Museum at FIT in Manhattan.
Kei Kagami is a Japanese architect and designer living in London whose conceptual, avant-garde designs have been referred to as Torture Couture for their integration of mechanical elements and contraptions. What’s closer to the truth is that they are, like the haute couture of a designer like Alexander McQueen, wearable works of art.
Anatomy, biology, ecology and futurism combine in his more surreal designs in which glass tubes, vials and magnifying glasses are used to break the traditional boundaries and tackle themes of transformation, and a garment’s interaction with the wearer. Using an eclectic mix of materials such as silk, lether, metaol, plastic an glass, Kagami’s conceptual pieces are always informed by his study of architecture.
The Anatomy1 Ensemble (2007) was originally featured in the Museum at FIT’s 2008 show, Gothic: Dark Glamour, but it can also currently be seen as part of Exhibitionism: 50 Years of The Museum at FIT, on view through April 20th, 2019.
The Pink Dress that Gwyneth Paltrow wore to the 1999 Academy Awards was designed by Ralph Lauren to recall Grace Kelly. Featured in Hal Rubenstein’s 100 Unforgettable Dresses, it testifies to the enduring appeal of a pretty pink dress that makes the wearer look like a princess.
Photographed as Part of The Exhibit, Pink: The History of a Punk, Pretty, Powerful Color, on Exhibit Through January 5th, 2019 at The Museum at FIT, Located at Seventh Avenue and 27th Street in NYC.
Mattel launched the Barbie doll in 1959, but it was only in the late 1970s and 1980s that much of her wardrobe became a bright pink, known as “Barbie Pink.”Jeremy Scott of Moschino collaborated with Mattel on this Moschino Barbie (whose outfit is copied in fine detail from the pink leather ensemble seen below) that was available to purchase in the spring and summer of 2015.
Both the doll and the outfit above were photographed as part of the exhibit Pink: The History of a Punk, Pretty, Powerful Color, on view at The Museum at FIT in NYC Through January 5th, 2019.