This fabulous monochromatic crimson display of couture fashions set against a backdrop of luxurious red leather luggage is just one in series of over-the-top window display tableaus created by W Magazine for Bergdorf Goodman department store by W Magazine in honor of Italian fashion editor and stylist Giovanna Battaglia‘s new book Gio_Graphy: Fun in the Wild World of Fashion. The book is due for release on October 24th, 2017.
Pioneering designer Vivienne Westwood’s seminal 1993/94 Anglomania collection enshrined the kilt in high fashion. It was worn on the runway by Kate Moss, who sported the look shown here, and by Naomi Campbell, who famously fell while wearing the Super Elevation Gillie platforms. The kilt evolved from a single long piece of durable, harsh twill in muted colors that Scottish Highland men wrapped around the lower body, belted, and the passed over one shoulder.
Beginning in the late seventeenth century, pleats were sown into the back the skirt, loops were added for ease of belting, and the top length formed an autonomous garment. For Highland clans , the kilt symbolized familial, military and geographic loyalties. Following a series of incursions known as the Jacobite Uprisings, the garment was banned by English law in 1746, and its use declined precipitously. The kilt was revived by nineteenth-century elites, who invented new traditions around its use.
Worn by the military until the mid-twentieth century, the kilt became a nostalgic symbol for Scottish nationals in diaspora, and it is a common element of girls’ private school uniforms and ceremonial wedding attire. Punks subversively paired it with hoodies and graphic T-shirts
Photographed at part of the Exhibit, Items: Is Fashion Modern? on Through January 28th, 2018 at the Museum of Modern Art in NYC.
It must have been some kind of cosmic coincidence that, while walking to the train after attending a late night Birthday party for Randy Jones, best known as The Cowboy from ’70s Disco legends The Village People, I passed right by the iconic NYC department store, Bergdorf Goodman, and got a face full of this mind-blowing, disco ball extravaganza window display.
My Favorite Color is Rainbow is just one in series of over-the-top window display tableaus created by W Magazine in honor of Italian fashion editor and stylist Giovanna Battaglia‘s new book Gio_Graphy: Fun in the Wild World of Fashion. The hardcover book is described as, “A witty guide to living the glam the life from an international style star, featuring hilarious anecdotes, fashion advice, and much more. Dubbed a “cyber icon” and “fashion heroine” by the New York Times, Battaglia is known for her colorful street style and fun-loving personality. Her monthly column in W chronicles fashion, art, and adventure. In this, her first book, she has written an irreverent how-to guide for dressing for every occasion, finding fashion inspiration, living stylishly, and having fun while doing it. Heck Yeah!
Covering style and beauty for daytime, nighttime, travel, and work, this book is brimming with chic and inspirational wisdom, from how to pull off bold fashion moves like barely-there tops, enormous hats, and powerful reds; advice for how to survive fashion emergencies (like what happens when you show up to an event in the same dress as someone else); and her secrets for donning multiple outfits in a day (bodysuits are key). Also featured are tips and tricks she has learned from fashion-world friends. Filled with humor and style, this is a must-have book for anyone interested in fashion and having a good time.
If you can’t make it to Bergdorf Goodman (located at 754 5th Avenue (at 58th Street), New York, NY 10019 you can buy the book (which has a publication date of October 24, 2017) at This Link!
These extremely rare, retro-vintage Hi Brows Boots were worn by one of the GoGo dancers on the 60s-era TV show, Hullabaloo. Made of white vinyl with red and blue vinyl panels and black vinyl piping, the red and blue color block design was inspired by the non-representational paintings of Dutch artist, Piet Mondrian. They are low heeled and below the calf in height, with a back metal zipper at the back. Why these boots originally sold for just a few dollars per pair, they can now fetch as much as $700 or $800 on eBay.
Hullabaloo was a Pop Rock weekly variety show that ran from 1965 to 1966 (two seasons), NS was broadcast on the NBC network. As with ABC TVs Shindig, which began 4 months earlier, this series combined the musical trends of the day, The British Invasion, Detroit’s Motown sound and the merging Folk Rock trend. Unlike Shindig, this series featured a segment from Great Britain hosted by The Beatles‘ manager Brian Epstein, who presented “up and coming” groups. The weekly hosts, at NBC ‘s Burbank studio, included George Hamilton, Roger Smith, Noel Harrison, Paul Anka and Sammy Davis Jr.
The performers, from both sides of the Atlantic, included The Four Seasons, The Beatles, Nancy Sinatra, Gary Lewis and The Playboys, Petula Clark, Barry McGuire, The Kinks, Herman’s Hermits, The Byrds and The Lovin’ Spoonful.
Photographed in the Museum of the Moving Image in Astoria, Queens, NY.
Paco Rabanne presented his first fashion collection in 1966. It was entitled 12 Dresses in Unwearable Materials and included garments made from links of plastic fastened with metal hoops. Rabanne had proven that fabric, needle and thread were not altogether necessary to clothing design, and he quickly gained fame for his defiance of tradition.
Ready-to-wear Dress Circa 1966: Silver and Black Plastic Discs, Metal Hoops. Photographed in the Museum at FIT in Manhattan.
Every year , the Metropolitan Museum of Art hosts a fashion exhibit full of mind-blowing, ‘wearable’ works of art. We enjoy making multiple visits during each exhibit’s tenure, which generally lasts into late summer, and taking way too many photos than we will never do anything with. Because too may photos is a thing. and it is how we roll.
For spring/summer 2017, the Costume Institute’s exhibition examines the work of Japanese fashion designer Rei Kawakubo, founder of Comme des Garçons (French for “Like Boys”), who is known for her avant-garde designs and ability to challenge conventional notions of beauty, good taste, and fashionability. The thematic show features approximately 140 examples of Kawakubo’s womenswear for Comme des Garçons dating from the early 1980s to her most recent collection, many with heads and wigs created and styled by Julien d’Ys. 90% of the designs are just out of control, crazy couture that no one would ever wear anywhere but the runway, or one time only to a gala where you need to be remembered for wearing a dress that comes with its own cage, or something.
The galleries illustrate the designer’s revolutionary experiments in “in-betweenness”—the space between boundaries. Objects are organized into nine aesthetic expressions of interstitiality in Kawakubo’s work: Absence/Presence, Design/Not Design, Fashion/Anti-Fashion, Model/Multiple, Then/Now, High/Low, Self/Other, Object/Subject, and Clothes/Not Clothes. Kawakubo breaks down the imaginary walls between these dualisms, exposing their artificiality and arbitrariness.
If you are intrigued by the Pink Presses in this post, which is how I was able to distill the exhibit for this blog, then you need to check this shit out in person, because it is just insane.
Look: Proof that this ‘dress’ fits on a human body!
Rei Kawakubo / Comme des Garçons Art of The In-Between Runs Through September 4th, 2017 at The Met, NYC.
With its petal-like stole, this evening gown, The Tree (1955), transforms the wearer into a flower, giving her a sensual elegance. Couturier Charles James (1906 – 1978) often envisioned his clients as exotic flowers and he believed that fashion should arouse the mating instinct. Ooh!
Psychologist Nancy Etcoff writes, “Flowers are alluring landing strips for pollinating insects: They are the plant worlds sex objects.” Think about that next time you see a flower.
Photographed as part of the Force of Nature Exhibit, on Through November 18th, 2017 at at The Museum at FIT, Located at the Southwest corner of Seventh Avenue and 27th Street, in NYC.