Garments such as this A-line Baby Ruth Paper Dress (circa 1968) by Mars of Ashville (marketed under the name Wastebasket Boutique) became popular marketing tools for brands during the 1960s. The work of Pop artists like Andy Warhol was similarly turning everyday products into works of art. “Paper is the clue to the future,” declared Women’s Wear Daily in 1966.
Installation View with Michael Mott Target Minidress (1968)
See more examples of paper dresses from the sixties Here and Here!
Photographed as Part of the Exhibit Minimalism/Maximalism, On View at the Museum at FIT Through November 16th, 2019.
Exaggerated proportions and visual intricacy define this maximalist ensemble by Comme des Garçons. The elaborate coat and bodysuit, in various fabrics including cotton, wool, nylon, polyester and linen — and in assorted shades of pink, red and white, are part of the Spring 2018Multidimensional Graffiti collection, which appropriated the works 10 artists ranging from the 16th century to today.
Shown Here in Contrast to a Minimalist Design By Narciso Rodriguez (Left)
According to Women’s Wear Daily, the result was a mash-up of prints and textures that allied to “the possibilities inherent when wildly unlike visual perspective coexist.”
Photographed as Part of the Exhibit Minimalism / Maximalism at the Museum at FIT in Manhattan Through November 16, 2019.