The La Sylphide Gown, designed by Charles James, was worn by Miss Esme O’Brien when she came out as a New York debutante in 1937 (a sylph is a lovely, slim young woman or girl).
Henri Lédéchaux bred the French hybrid rose Madame Ferdinand Janin in 1875. It was imported into the United States in 1886, where it was renamed American Beauty.
It may be difficult to discern in the dim museum lighting, but the front of this bright Pink Dress features the scene of a rocket launch, and was created in 1968 by American graphic artist Harry Gordon at the height of the international space race.
In 1995, the Isaac Mizrahi documentary Unzipped was released and it was an immediate hit. Unzipped details the making of Mizrahi’s 1994 fall collection, which was partly inspired by the groundbreaking 1922 documentary, Nanook of the North.
In one dramatic scene, Mizrahi appears crestfallen to learned that designer Jean Paul Gaultier has also produced and ‘Eskimo-inspired’ collection — but Mizrahi need not have worried. His ebullient and cheerful take on Arctic chic — which include Technicolor Parka’s and billowing, vibrantly striped even skirts — in no way resembled Gaultier’s more literal adaptations.
Photographed at The Museum at FIT in October 2017 as Part of the Exhibit, Expedition: Fashion From The Extreme.
Chloe is a French fashion house founded in 1952 by the Jewish Egyptian immigrant Gaby Aghion, who had a vision to offer luxury ready-to-wear. Karl Lagerfeld began designing for Chloe in 1966, and his creations from the 1970s were extremely influential.
Lagerfeld returned as creative director of Chloe in 1992, and was followed in due course by Stella McCartney, Phoebe Philo, and Natacha Ramsey-Levi.
This Black and Gold embroidered Tulle and Silk Chiffon Evening Ensemble was part of Karl Lagerfeld for Chloe’s Fall/Winter 1993 – 1994 Collection. Photographed as part of the exhibit, Paris: Capital of Fashion at the Museum art FIT in Manhattan.