Throughout her long career, Louise Bourgeois (1911 – 2010) treated the motif of spiders across many different media, from drawings and prints to monumental outdoor sculpture. The theme was initially associated with her mother, a tapestry restorer, but grew to take on broader associations as a strong female protector against evil. This example, Spider Woman — dating from the last decade of the artist’s life — represents a female spider with a human face, contained within an egg-shaped form. The vibrant scarlet ink is a color that Bourgeois favored in her later work.
Photographed in the Metropolitan Museum of Art in NYC.