Tag Archives: appropriation

Modern Art Monday Presents: Frank Buffalo Hyde, In-Appropriate #1

in appropriate by frank buffalo hyde photo by gail worley
Photo By Gail

In-Approprite #1 (2013), the pointed title of this Pop-style painting by Native American artist Frank Buffalo Hyde, calls out the type of cultural appropriation sometimes perpetrated by celebrities in the name of fashion or riding a trend. Buffalo Hyde based his painting on No Doubt’s 2012 music video for “Looking Hot.”
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Sturtevant: Double Trouble at MOMA

Gonzalez Torres Untitled America
Gonzalez-Torres Untitled America (2004) By Sturtevant (All Photos By Gail)

When Geoffrey and I were at MOMA a week or so ago to see the Matisse Cut Outs exhibit, we accidentally stumbled upon another fantastic exhibit which we’d somehow managed to avoid even knowing about: Double Trouble — featuring the works of the late Pop artist, Sturtevant — which is nearing the end of its run in just a couple of weeks. You should not miss this exhibit if at all possible.
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John Grande’s Oh You Pretty Things at Jim Kempner Fine Art

Damien Hirst By John Grande
Damien Dot: Portrait of Damien Hirst by John Grande (All Photos By Gail)

Wedged between viewing rad new art by both Lynda Benglis and Herb Alpert, we popped into Jim Kempner on 23rd and 10th during last Thursday’s Art Crawl to check out a very fun exhibit. Taking Appropriation Art to a hilarious new level, painter John Grande presents his new series of portraits depicting pop culture icons superimposed with the distinctive design of Damien Hirst’s famous Spot Paintings. That Hirst himself is honored in the show is pure brilliance. Continue reading John Grande’s Oh You Pretty Things at Jim Kempner Fine Art

Mr. Brainwash Loses Another Copyright Lawsuit

Sid Vicious Brainwash
Dennis Morris’s photograph of Sid Vicious (Left) and Mr Brainwash’s Mural Based on the image

From The Art NewsPaper:

The Los Angeles-based street artist Thierry Guetta, better known as Mr. Brainwash, has lost a copyright case involving a 1977 photograph of the punk rock musician Sid Vicious shot by the British photographer Dennis Morris. Guetta had claimed that the seven works he created using Morris’s black and white photograph, including one mural and one collage made of broken vinyl records, were sufficiently altered to be protected by the fair use defence, which allows for the use of copyrighted material for commentary, criticism and parody.
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