99 Cents Dream (2020) is part of an eponymous series from photographer Graham MacIndoe taken primarily in New York City since March 2020, when the pandemic changed our lives practically overnight. MacIndoe took the opportunity to venture out into different parts of the city and was captivated by the quietness of the streets, the feeling of isolation, and people walking through the unfamiliar landscape of shuttered stores and restaurants. The estrangement of human interaction he often saw and felt made him view the city and its inhabitants differently. Things he may not have noticed before, like gestures, graffiti and shadows, became more pronounced because of the mostly empty sidewalks and streets. Many of the scenes he encountered brought to mind the book Lanark by the Scottish author Alisdair Gray, which in part describes the city and its disappearing residents. These pictures are about displacement and a lack of belonging and a feeling that something is not quite right, which of course was the case before Covid-19 arrived.
Photographed in The National Arts Club in Gramercy Park, Manhattan.
This photograph of artist David Wojnarowicz (1954 – 1992) was taken in late May of 1991 at Chaco Canyon in New Mexico while Wojnarowicz and his friend Marion Scemama took a road trip around the American Southwest. Cynthia Carr, the artist’s biographer, describes how the photograph came to be:
David had been there before and he knew exactly where he wanted stage this. “We’re going to dig a hole,” he told her, “and I’m going to lie down.” They began digging without saying word, a hole for his upper body and a bit for his legs. They used their hands. The dirt was loose and dry. He lay down and closed his eyes. Marion put dirt around his face until it was halfway up his cheeks and then stood over him, photographing his half-buried face first with his camera and then with hers.
This image was also licensed for use as the cover art for the soundtrack recording of the 1995 film, Postcards From America.
Photographed as Part of the Exhibit History Keeps Me Awake at Night, on View Through September 30th, 2018 at the Whitney Museum in NYC.
You say you want Pink Things? I got yer Pink Things right here. The Spring edition of the Affordable Art Fair has come and gone from NYC, until it returns in the fall, and we had a ton of fun this year seeing many old friend and lots of exciting new artworks all priced to own! Affordable Art!
With so very many galleries exhibiting at the fair from all over the globe, we like to distill it down by choosing our favorite Pink Artworks and bringing them to your face, which will give you a good idea of the scope of painting, photography, sculpture and multi-media that finds its way into the two levels of the Metropolitan Pavilion when the AAF rolls into town. Though the fair is over for
now, you can still purchase many of these pieces, or others by the same artist, from the galleries via their brick and mortar locations, or websites. Continue reading Favorite Pink Artworks From the Affordable Art Fair, Spring 2017!→
By photographing the interior scene depicted in Missing Children (Captiva) (1988) at eye level and printing the image at life scale, JoAnn Verburg provides a point of entry for the viewer: one can easily imagine sitting at this table. At first glance, the work depicts a cheerful, everyday moment; yet the milk carton’s images and descriptions of missing children inject the dangers of the world outside into the intimate setting. Verburg explains that the photograph involves “putting a lyrical, private moment together with difficulty — the political, public side of life.”
Alistair Matthews’ Organic Corn was a personal exercise in creating an editorial photograph without a client in mind. The original photograph, spotted at PhotoPlus Expo in September, won the 2016 PDN Taste Food Photography Award!