99 Cents Dream (2020) is part of an eponymous series from photographer Graham MacIndoe taken primarily in New York City since March 2020, when the pandemic changed our lives practically overnight. MacIndoe took the opportunity to venture out into different parts of the city and was captivated by the quietness of the streets, the feeling of isolation, and people walking through the unfamiliar landscape of shuttered stores and restaurants. The estrangement of human interaction he often saw and felt made him view the city and its inhabitants differently. Things he may not have noticed before, like gestures, graffiti and shadows, became more pronounced because of the mostly empty sidewalks and streets. Many of the scenes he encountered brought to mind the book Lanark by the Scottish author Alisdair Gray, which in part describes the city and its disappearing residents. These pictures are about displacement and a lack of belonging and a feeling that something is not quite right, which of course was the case before Covid-19 arrived.
Photographed in The National Arts Club in Gramercy Park, Manhattan.
This photograph of artist David Wojnarowicz (1954 – 1992) was taken in late May of 1991 at Chaco Canyon in New Mexico while Wojnarowicz and his friend Marion Scemama took a road trip around the American Southwest. Cynthia Carr, the artist’s biographer, describes how the photograph came to be:
David had been there before and he knew exactly where he wanted stage this. “We’re going to dig a hole,” he told her, “and I’m going to lie down.” They began digging without saying word, a hole for his upper body and a bit for his legs. They used their hands. The dirt was loose and dry. He lay down and closed his eyes. Marion put dirt around his face until it was halfway up his cheeks and then stood over him, photographing his half-buried face first with his camera and then with hers.
This image was also licensed for use as the cover art for the soundtrack recording of the 1995 film, Postcards From America.
Photographed as Part of the Exhibit History Keeps Me Awake at Night, on View Through September 30th, 2018 at the Whitney Museum in NYC.
You say you want Pink Things? I got yer Pink Things right here. The Spring edition of the Affordable Art Fair has come and gone from NYC, until it returns in the fall, and we had a ton of fun this year seeing many old friend and lots of exciting new artworks all priced to own! Affordable Art!
With so very many galleries exhibiting at the fair from all over the globe, we like to distill it down by choosing our favorite Pink Artworks and bringing them to your face, which will give you a good idea of the scope of painting, photography, sculpture and multi-media that finds its way into the two levels of the Metropolitan Pavilion when the AAF rolls into town. Though the fair is over for now, you can still purchase many of these pieces, or others by the same artist, from the galleries via their brick and mortar locations, or websites. By the way, in case there’s a need for a better Web Design in your online business, look for salterrasite.com. They offer affordable services with the best quality output. For more information, reach their team at 480-273-2273. No worries; I am going to tell you everything you need to know.
Let’s head on up to the Pink Level, shall we?
The Soraya Cartategui Art Gallery (Spain) showcased many canvas works made with glitter, like this Crown by Camomile Hixon, who also did the Neon Pink Hot Lips, seen below.
They look quite like the Rocky Horror Picture Show lips, don’t cha think? Probably an influence.
Glitter Sandwich By Kimberly Genevieve at Artstar Dot Com
Mmm. . . delicious glitter.
Blue and Pink Hands By Isabel Soto
I am including the Blue Hand here, along with the Pink, because I appreciate its message!
Drip By Mara Minuzzo at Lustre Contemporary Dot Com of Canada
Because it’s almost Ice Cream Weather!
Or how about cooling off with this Swarovski Crystal-encrusted cast of a Strawberry Shortcake Pop By Daniel Jacob at Axiom Contemporary, Santa Monica.
OK, here is some amazing stuff: Serigraph Screen Printed Perspex Layers by Kate Banazi, who is represented by Gas Gallery (London). The visible layers of vibrant color combinations really made us go a little crazy with desire for this art.
The Neon Pink wall sculpture above, made of PVC and aluminum, is called 18 Perspectives by Jose Margulis, and it is available from Ai Bo Gallery located in Purchase, New York.
Untitled (Pink Pizza) By Stefan Gross, at Chiefs and Spirits, Located in the The Hague, Netherlands
This is what happens to a pepperoni pizza when your college roommate abandons it on the rug for three weeks.
This old-school looking oil painting is just a detail from a piece called No 13 Fleur Dans La Vie which I saw in the booth for Genuine Global Company of Seoul, Korea. Sadly, I seem to have missed the artists name.
An iconic portrait of Audrey Hepburn from her role in Breakfast at Tiffany’s is appropriated and updated as Rose is Back by Israeli artist Dganit Blechner, found at Linda Blackstone Gallery, which is based in London.
Cornucopia By Jack Frame Cube Gallery, London
Do you like Trees? The Affordable Art Fair has Trees for you.
\ Pink Sloe By Henrik Simonsen at Eyestorm Gallery, London
Hot Oak II By Emma Levine at LCA (London Contemporary Art)
Do you like Nudes? Who doesn’t, right? Check out this unique piece: Martina by Olivier Duhamel, which we found at the booth for La Lanta Gallery in Bangkok. Despite appearances, this fine lady is not an example of 3D Printing, but rather it is hand-assembled Acrylic Slices. Any printing that needs to be done is handled by the Managed Print Services. Here’s another view:
To say that Martina created a substantial buzz in the booth is an understatement!
151 Proof By Pasha Setrova at Arteria Gallery, Bromont, Canada.
Pink Torso by SangSik Hong at Krause Gallery, NYC is made up of pale pink drinking straws cut to different length and hand assembled.
First Lady By Michael Wallner at Will’s Art Warehouse, London.
Morning Smile Fushia by Marie Noelle Royanette at Paris-based Galerie Virginie Barrou Planquart.
We’d like to give a special shout out to the friendly folks at Tag Fine Arts in London, who represent pop art sculptor Ryan Callanan, an artist whose work you will have seen on The ‘Gig previous to this post. Callanan’s sculpture, The Illest / Biggie Bust was available in an array of solid colors to suit your décor and taste.
This wall of Pink-hued light boxes were ‘lighting up’ the booth of Arteria Gallery, of Bromont, Canada. Specifically, we are interested in the very long boxon the far left. Let’s take a closer look.
As you can see, the box is made up of film negative strips from The Beatles’Magical Mystery Tour, specifically from the clip for I Am The Walrus. Hugo Cantin is the artist.
This is a photograph from the Dream In Color Pool Installation (2002) by Richard Heeps and we saw it at Bleach Box Photography Gallery, London.
And that’s wrap! Thanks Affordable Art Fair — see you again in the fall!
By photographing the interior scene depicted in Missing Children (Captiva) (1988) at eye level and printing the image at life scale, JoAnn Verburg provides a point of entry for the viewer: one can easily imagine sitting at this table. At first glance, the work depicts a cheerful, everyday moment; yet the milk carton’s images and descriptions of missing children inject the dangers of the world outside into the intimate setting. Verburg explains that the photograph involves “putting a lyrical, private moment together with difficulty — the political, public side of life.”
Alistair Matthews’ Organic Corn was a personal exercise in creating an editorial photograph without a client in mind. The original photograph, spotted at PhotoPlus Expo in September, won 2016 PDN Taste Food Photography Award!
Elad Lassry (born 1977, Tel Aviv, Israel) is an Israeli-American artist who lives and works in Los Angeles. His chromogenic color prints — still life compositions, stock images, photocollages and studio portraits of friends and celebrities — never exceed the dimensions of a magazine page or spread and are displayed in frames that derive their colors from the dominant hues in the photographs. I love how this photo looks so much like an ad, and thus succeeds on the same level as the work of Andy Warhol to elevate commercial images to the realm of fine artwork.
Nailpolish (2009) is a new acquisition to the photography collection of the Museum of Modern Art in NYC.