As the past is reinvented to serve present needs, ’70s guitar Rock meets Disco’s irresistible call to shake your booty in this week’s Video Clip: “Hard Times” from Randy Jones — best known as the Cowboy from the legendary Village People. With a beat borrowed from Bruno Mars‘ global hit, “Uptown Funk,” this track about beating the blues is lyrically uplifting at a time when we could all use a little encouragement, and harnessed by a rhythm that is virally contagious. Directed by Mikhail Torich, the accompanying visuals are heavy on the glam, delivering sassy back up singers, buff disco boys, mirror balls and everything you need for an immersive club experience. No parking on the dance floor.
The title track from Randy’s brand new album, “Hard Times” is presented here in its super-groovy Studio 54 Mix (courtesy of Mark Saunders). Hard Times is available wherever fine music is procured. Enjoy!
Dennis Tompkins and Michael Bush, who were Michael Jackson’s longtime costume designers, were asked to create a pair of Metal Cowboy Boots (circa 1990) for Jackson. The designers found inspiration in sabatons, the part of a knight’s armor that protected the foot. The singer wore these boots to the White House in April of 1990 to received the Artist of the Decade award from President George H.W. Bush.
Photographed in the Autry National Center in Los Angeles.
Mike Weiss Gallery is pleased to present RRRGGHH!!!, Jerry Kearns’ first solo exhibition with the gallery and the artist’s first show in New York since 2006. RRRGGHH!!! features 8 new paintings on canvas as well as 5 wall murals.
RRRGGHH!!! restages the elemental conflict between hero and villain in the template tradition of this type of narrative, good versus evil, begun over 2000 years ago with The Book of Revelations and continued in different iterations today. The paintings present a layered dreamscape inhabited by a recurring cast of characters that have their roots in both the artist’s personal and our public histories. The narrative is organized around scenes from a hero’s journey, the hero himself an amalgamation of some of the most influential archetypes in culture.
Detail from Painting Above
Each painting is a confrontation with one or more dangers, but the interpretation is widely open to discussion, while clues and misleading evidence are left on the canvas for discovery. These paintings reposition familiar images in a universal vocabulary, presenting a destabilized perception of our culture.
Jerry’s work can be seen as history painting, charting our collective cultural mythology over the passage of the last 30+ years. His paintings employ the essence of Pop Art by using recognizable imagery culled from our culture, like the Jesus/Cowboy who was created from a 1950s cartoon and a projection of Bible belt realism. Instead of placing the characters in their typical environments, he uses the vocabulary and familiarity of pop culture imagery as a tool for analyzing the world around him.
The Jesus/Cowboy is at once the outsider and the hero. He often seems lost in the action, looking the wrong way, or looking toward heaven even when danger is imminent and arriving in another direction that we, the viewers, can see unfolding. The animals in these paintings seem to know more than the protagonists do about reality. Good and evil are constantly at odds, and danger lurks everywhere. Each painting is layered with meanings, constructed so as to ask questions but evade answers.
The narrative in this exhibition appears semi-coherent, familiar, and threatening to fall apart as it unfolds. Escaped prisoners are painted directly on the wall to create a didactic clash of literal versus symbolic space. These characters are closer to the actual space we live in, adding a new dimension for encounter. The exhibition plays out like a movie, unwinding its narrative through scene after scene – a painted, epic film still. The stylistic tendencies of his work speaks to the integrity of his practice and vision by allowing us the opportunity to encounter characters we know in an unguarded way, often at dynamic moments in their fictional universes.
The paintings are influenced by the artist’s childhood filled with cowboy movies and serials, newspaper cartoons, comic books, and the colorful illustrations his Preacher showed him in the Bible while growing up. In his work, Jerry is interested in exploring the fundamental relationship revealed in current exercises of power through imagery. Former President George Bush’s polarizing economic and political strategies, which were no relief after Reagan’s trickle-down economic policies, also play a role in the narrative. Jerry saw George Bush’s appropriation of the male archetype of the Cowboy realized in his approach of government policy.
Be sure and visit the Mike Weiss Gallery while RRRGGHH!!! is still up!
Jerry Kearns: RRRGGHH!!! Will be on Exhibit Through August 23rd, 2104 at Mike Weiss Gallery, Located at 520 West 24th Street in the Chelsea Gallery District.