People discard the most amazing stuff that, in any other lifetime, I might seriously consider picking up and taking home with me, if it weren’t for the Covid. I’m not sure if the Covid could live on a pair of Fancy Hot Pink Satin Pumps (with a rhinestone embellishment, no less) but I am not taking any chances.
I spotted the shoe on Avenue B when I was in the home stretch of daily walk. With a bit more sleuthing, I found its mate close by.
You can clearly see by the pristine, black heel-guard that these shoes have never walked even one step on a NYC sidewalk. Adding to the temptation to snatch them: the box was also found to be close by. Sadly I had to leave them be; because, Covid.
These stunning pumps are made by Nina Shoes and appear to sell for about $79 — pretty reasonable, really. Sadly, the reason why they were just abandoned on the streets of the East Village will remain a mystery.
Morris Hirshfield (1872 – 1946) began to paint at the age of 65, after retiring from a career making women’s coats, suits and slippers. The flattened, decorative forms of Inseparable Friends (1941) echo his garment-making work. Without distinguishing between the floor and the wall, Hirshfield creates a room through thee planes of shapes and patterns: the women at their mirror, the tasseled curtain above them, and the plant and shoes at their feet. While Hirshfield’s compositions are simplified and stylized, he aimed for meticulous, realistic detail and believed that his figures represented the human body “better than the camera can do.”
Beautiful shoes can certainly be considered works of art, and in the case of these Hot Pink beauties created from ordinary push pins, that is exactly the case.
These striking Push Pin Shoes (1981), designed by Laura Escamilla, were part of a Public Art Installation called Obsessorize: Common Objects Uncommon Accessories, a joint venture between Madison Avenue Business Improvement District (BID) and students at the SVA 3D Design department.
These shoes were spotted somewhere along Madison Avenue in the upper 70s. The exhibit was co-sponsored by Marie Claire magazine.
There’s a Buffalo Exchange store on West 26th Street just a few doors down from the yoga studio that I visit most Saturday afternoons. When I’m a bit early for class, I like to pop in and check out the recent acquisitions. This past Saturday, my eyes popped out of my head when I spotted these Hot Pink Patent Leather Spike Heels. Not only are they absolutely gorgeous, and in perfect condition — the soles look like they’ve never even touched the sidewalk — but they are a size 16! Wow! I can’t imagine who would give them up, but I am sure they will make some lucky drag queen very, very happy!
These Hot Pink custom boots, designed to mimic a pair of cat’s paws, were worn by pop star Katy Perry on her 2014 Prismatic Tour. Created by NYC-based design house The Blonds, the boots were part of a Pink Leopard-Print, Stretch Velvet Catsuit (seen below) worn by Perry onstage.
Photographed in the Grammy Museum in Hollywood, California.
With confident handling of a limited palette, Eva Gonzalez (1849 – 1883) elevates a pair of evening slippers into a mysterious and enigmatic portrait of modernity for The Pink Slippers (1880). A crucial element of a woman’s wardrobe, footwear was often fetishized because shoes and slippers were not meant to be seen, hidden as they war under voluminous dresses. Gonzalez emphasizes the intimate nature of these accessories by isolating them within dramatic play of light and shadow. An ethereal reflection is visible on the polished surface upon which the shoes rest.
Photographed as Part of The Exhibit Women Artists In Paris, on View Through September 3rd, 2018 at The Clark Institute, Located in Williamstown, Massachusetts.
If you’ve ever had to transfer from the 4 and 5 lines at 59th Street / Lexington Ave to the N/R/W or 6 trains on the upper level, then you have passed by the huge mosaic tile Coffee Cup Mural on the mezzanine level, which is part of a larger work called Blooming, by artist Elizabeth Murray.
Murray has also scattered smaller mosaic tile shoes and coffee cups through the stairwells and on the train platform walls.