Online casino gaming used to feel like a copy of something older. A slot machine moved onto a screen. A roulette table filmed from a studio. A blackjack table rebuilt with buttons instead of chips. It worked, but for a while it still carried the feeling of imitation. That’s changed; the modern online casino is no longer trying only to recreate the casino floor. It’s become its own kind of digital entertainment, shaped by phones, faster games, cleaner design, live streams, short sessions and players who want everything to work without a long introduction. Continue reading The Online Casino Game Has Become Its Own Kind of Digital Night Out→
At this year’s International Contemporary Furniture Fair (ICFF), one of the softest and most dreamlike lighting designs I encountered was the Eos Sante table lamp by Umage. The lamp combines a slender, almost impossibly delicate stem with a broad circular base, creating a silhouette that feels both airy and grounded. But the real showstopper is the shade — a voluminous cloud of feathers that immediately brought to mind the puffball top of a dandelion moments before it drifts into the wind. Continue reading Pink Thing of The Day: Eos Sante Table Lamp By Umage→
One of the things I love most about contemporary design is when an object refuses to immediately explain itself. Is it functional? Is it sculpture? Is it furniture? Is it all three? That was exactly my reaction when I encountered this illuminated standing lamp, appropriately called Sail Lamp (2025) by Swiss artist Urs Fischer, which transforms what appears to be crushed or draped material into an elegant glowing tower of light. Continue reading Eye On Design: Urs Fischer’s Sculptural Sail Lamp→
Isamu Noguchi on top of Slide Mantra at Isamu Noguchi: What is Sculpture?, Venice Biennale, June 29–September 28, 1986 (Photo: Shigeo Anzai)
Founded by celebrated sculptor Isamu Noguchi, the Isamu Noguchi Foundation and Garden Museum is revisiting one of the artist’s most daring and debated exhibitions with Light and Stone: Revisiting Noguchi’s 1986 Venice Biennale, on view now through September 13, 2026. The archival exhibition commemorates the fortieth anniversary of Noguchi’s groundbreaking presentation at the 1986 Venice Biennale, where he became the first solo artist to represent the United States in the U.S. Pavilion. Continue reading Light and Stone: Revisiting Isamu Noguchi’s Radical Vision of Sculpture→
Some handbags are designed to blend in seamlessly with an outfit, but others are determined to steal the entire room. This futuristic robot-inspired Chanelminaudière, spotted on display at Sotheby’s, firmly belongs in the second category.
At first glance, the piece closely resembles a tiny retro robot or miniature arcade game rather than a handbag. Constructed in glossy black acrylic, the sculptural bag features sparkling rhinestone eyes, a glowing green circuit-board motif, and the unmistakable interlocking double “C” logo integrated into the center like the core processor of a fashionable little android. Continue reading Eye On Design: Chanel Robot Handbag→
