These Pink Toothbrushes with Pink Bristles are sold in the MoMA Design Store (at the Museum of Modern Art in NYC) for $5.00. The toothbrush was designed by award-winning Danish designer, Andreas Engesvik, who is probably best-known for his furniture designs. You can find them in the point-of-purchase area by the registers, displayed alongside colorful earplugs, capsule-shaped pill cases and snow globe key fobs! Art!
Shiro Kuramata (1934 – 1991) a member of The Memphis Group and among the most innovative designers of the late twentieth century, was fascinated by the visual possibilities of acrylic. The artist stated that his ideal objective was to see objects floating in air. Named for the Wunderkammern owned by Renaissance princes that displayed natural and man-made curiosities, Cabinet De Curiosité (1988) offers the magical impression of suspending its contents in midair. Kuramata explored the phenomenological effects of acrylic — light and lightness, invisibility and reflectivity, weight and weightlessness – and the material has become the poetic signature of his work. Kuramata used the term Neiro, or “sound-color,” to describe the synesthetic effect that acrylic has it both its physical presence and the spectral color-shadows it casts as light passes through it. Its prismatic luminosity changes with light and viewpoint, exploiting the optical effects of the material. Shown here alongside Flower Vase #3 (1989).
Photographed in the Met Breuer in NYC.
Paco Rabanne was first known as an accessories designer and his work was regularly featured in the pages of magazines such as Elle and Harper’s Bazaar. This bag was likely made after the designer has started his clothing line. It shows how his idea of “futuristic armor” was translated into an eye-catching accessory
Photographed in the Museum at FIT
We saw these gorgeous light fixtures at ICFF and just fell in love with their Rococo look! Not only are they beautiful to look at, but the story behind them is also fantastic! Dutch designer Piet Hein Eek’s work embodies the concepts of transformation and reinvention. Spanning furniture design, architecture and fine art, Eek elevates discarded, quotidian and unorthodox materials into pieces that make a strong case for the Design-as-Art conversation. This is likely why Eek was presented by Paris-based glass lighting manufacturer Veronese with a dream job: to give a second life to their found glass pieces.
The project began when Veronese’s creative director Ruben Jochimek came across a forgotten stockpile of spare glass pieces — all hand blown by skilled Italian artisans of Murano — in the basement of their Parisian showroom. Comprised of over one-thousand pieces, the collection had been building up since 1931. These ornate glass pieces — stored on dusty shelves for nearly a century — included crafted cups, drops, rings and flowers.
Piet Hein Eek took Veronese’s found glass objects and came up with the Past and Future collection of chandeliers! An eclectic feast of styles and colors, the resulting product blends glass parts from different collections, giving a second life to Veronese’s long-forgotten glass pieces. Upcycling at its finest!
The lamps are made of 40cm glass tubes, equipped with LED lighting into which the spare parts can be slotted. Each model is 40cm high and 25/30cm in diameter, creating a suspension composed of three modules. The tubes can also be assembled to create longer chandeliers. Visit Veronese online at This Link!
Annie Evelyn is a furniture maker who creates alternatively upholstered chairs. Joy, laughter and the unexpected are at the heart of her work. Using furniture’s inherent interactive qualities and relationships to the human body, Evelyn sets out to invent new tactile experiences.
The Oshibana chair is covered with handmade paper flowers and silk flowers on a wood and foam base. See more of Evelyn’s work at her Website.
Photographed in The Furniture Society Booth at ICFF 2017, Javits Center NYC
For reasons that take too long to talk about, I’m late to the game with my post on the exhibit Paris Refashioned: 1957-1968, which closed on April 15th, 2017. But why waste a collection of lovely photos when I could still post them here, in hope that they will entice you to attend the museum’s next exhibit, while you learn more about the history of French fashion!
I was fortunate to visit the exhibit one frigid Saturday afternoon in February, when there were very few other attendees and the feelings of nostalgia were great, as it reminded me of shopping with my mother when I was a little girl back in the 1960s.
Paris Refashioned, 1957-1968 highlighted one of the most groundbreaking time periods in fashion history. While many books and exhibitions about this era position London as the center of innovative, youth-oriented design, this limited perspective overlooks the significant role that Paris continued to play in the fashion industry. Paris Refashioned, 1957-1968 examined the combined influence of French haute couture, ready-to-wear, and popular culture during this era, with particular emphasis on how fashion was perceived and promoted by the American fashion press. All objects on view were selected from The Museum at FIT’s permanent collection of more than 50,000 objects.
Please enjoy some of our favorite designs from the show!
Look for more individual pieces from the exhibit to be featured in Wednesday’s weekly Eye On Design column in upcoming weeks!
The Swiss-born designer Matia Bonetti is known for his irreverent, eye-grabbing, and (often) dazzlingly shiny functional objects. Bonetti enjoys playing with both organic and geometric forms rather than adhering to a consistent style. Created from Gold-plated bronze, cast aluminum, and rock crystal, the Liquid Gold Cabinet combines the two aesthetics, the designer offers, “because it’s quite straight in line, but you have all these ripplings that are more informal. They could be called Baroque, with their guiding and the richness.”
Photographed in the Paul Kasmin Gallery, NYC as part of the Indoor Outdoor Exhibit in 2013.