Buying a home is a major life milestone, but increasingly it can feel beyond reach in 2021. Buying a home under the age of 30 can feel impossible, but you can do it. There are plenty of creative ways to buy a property at any age and with almost any budget.
It is crucial to consider whether you’re ready for the responsibility of a property. After all, the commitment goes beyond the initial cost of the property and includes maintenance and tying yourself to a particular area for the long term.
In a career spanning more than five decades — as guitarist, singer and songwriter of Pink Floyd, and in his solo recordings and collaborations with other artists — David Gilmour has created a body of work that cements his legacy as one of the most influential rock musicians of all time. If you’ve ever wondered what it might be like to play one of Gilmour’s guitars, wonder no longer. Christie’s is preparing to bring to auction highlights from David Gilmour’s personal guitar collection on June 20th,2019 in New York. Comprising more than 120 guitars, Gilmour’s collection focuses on a selection of his preferred Fender models including Broadcasters, Esquires, Telecasters and Stratocasters, led by a guitar as iconic and recognizable as the historic performances for which it was used – the 1969 Black Stratocaster (estimate: $100,000-150,000). Detailing the musical history of one of the world’s most influential guitarists, the sale will be the largest and most comprehensive collection of guitars to be offered at auction. Sale proceeds will benefit charitable causes. Estimated final sale prices range from $300 to $150,000, appealing to a wide spectrum of guitar aficionados, fans and collectors alike.
Ovation Preacher 12-String Electric Guitar (1978). Final Sale Estimate $2,000-$3,000
A global tour of the guitars arrived in New York City on June 14th for six days of press and sale previews, and I was lucky to be able to view highlights of the full collection on Monday, June 17th. As a fan for over 40 years, it was a thrill to be able to see these historic guitars up-close, to read their stories and to enjoy audio and visual clips of David Gilmour in action, provided by Sennheiser, which completed a full sensory experience.
Fender Stratocaster Eric Clapton Signature Model in Custom Color Daphne Blue (1989). Final Sale Estimate $3,000-$5,000
Solid Body Electric Resonator Guitar (1991). Final Sale Estimate $1,500-$2,400
Quote from David Gilmour: “These guitars have been very good to me and many of them have given me pieces of music over the years. They have paid for themselves many times over, but it’s now time that they moved on. Guitars were made to be played and it is my wish that wherever they end up, they continue to give their owners the gift of music. By auctioning these guitars I hope that I can give some help where it is really needed and through my charitable foundation do some good in this world. It will be a wrench to see them go and perhaps one day I’ll have to track one or two of them down and buy them back!”
Gretsch Solid Body Electric Guitar, 6129 Silver Jet (1957). Final Sale Estimate $6,000-$8,000
Kerry Keane, Christie’s Musical Instruments Specialist: “For the last half century David Gilmour’s guitar work has become part of the sound track in our collected popular culture. His solos, both lyrical and layered with color, are immediately identifiable to critics and pop music fans as readily as the brushstrokes of Monet’s water lilies are to art historians.
Dusty Rose Fender Stratocaster Plus (1987). Final Sale Estimate $1,500-$2,400
These instruments are unique in that they are the physical embodiment of David Gilmour’s signature sound throughout his over 50-year career. Like palette and brush, they are the tools of the trade for an iconic rock guitarist.”
Ampeg Dan Armstrong Lucite Body Electric Guitar (1969). Final Sale Estimate $2,000-$3,000
Leading the Collection is David Gilmour’s 1969 Black Fender Stratocaster, purchased in 1970 at Manny’s on West 48th Street in New York (estimate: $100,000–150,000). The Black Strat quickly became his primary performance and recording instrument for the next fifteen years and it was extensively modified to accommodate Gilmour’s evolving style and performance requirements. The Black Strat was played on Money, Shine On You Crazy Diamond and the legendary solo on Comfortably Numb. It was key to the development of the Pink Floyd sound and was instrumental in the recording of landmark albums such as Wish You Were Here (1975), Animals (1977) and The Wall (1979), and of course Pink Floyd’s seminal 1973 masterpiece The Dark Side of the Moon, widely regarded as one of the greatest albums of all time. The guitar can also be heard on Gilmour’s critically acclaimed solo albums including David Gilmour (1978), About Face (1984), On An Island (2006) and Rattle that Lock (2015). After a period of temporary retirement while on semi-permanent loan to the Hard Rock Cafe, Gilmour reclaimed The Black Strat for Pink Floyd’s historic reunion concert at Live 8 in London’s Hyde Park on July 2nd, 2005, reinstating it as his guitar of choice for the next decade and firmly establishing its place in rock’n’roll history.
Another important guitar offered is Gilmour’s 1954 White Fender Stratocaster #0001, which has become one of the instruments synonymous with his long artistic career (estimate: $100,000–150,000). Gilmour acquired The #0001 Stratocaster in 1978. Its use on several recordings, such as Another Brick In The Wall (Parts Two and Three), and on the concert stage, make it readily recognizable by both fans and connoisseurs.
An additional collection highlight is an incredibly rare Gretsch White Penguin 6134. With only 50 models ever produced, the White Penguin is one of the rarest America vintage guitars to exist in the market. Gilmour purchased this guitar (pictured above) for his private collection July of 1980 (estimate: $100,000–150,000).
Further Fender highlights include the 1957 ‘Ex-Homer Haynes’ Stratocaster, with gold plated hardware and finished in the rare custom color of Lake Placid Blue (estimate: $60,000-90,000); a Candy Apple Red 1984 Stratocaster 57V (estimate: $15,000-25,000), which became his primary electric guitar during the 1980’s and 1990’s, used during recording and touring of the Pink Floyd albums A Momentary Lapse of Reason (1987) and The Division Bell (1994): and an exceptionally early 1954 Stratocaster, (estimate: $50,000-70,000), believed to be one of a group of Stratocasters produced by Fender prior to its commercial production release in October 1954.
Echoing Gilmour’s early musical influences of the Everly Brothers and Bob Dylan, the collection offers several acoustic guitars. Examples include a 1969 D-35 Martin purchased on the streets of New York in 1971, and used as both Pink Floyd and David Gilmour’s main studio acoustic, notably on Wish You Were Here (estimate $10,000- 20,000); and a unique Tony Zemaitis (1978) custom acoustic bass guitar (estimate $15,000-25,000).
Update: To read an article on the final sales prices of this auction, click Here!
For true pop music devotees — and particularly for those who came of age in the ’70s and ’80s — 2016 delivered a year of The Day The Music Died-level emotional trauma on a monthly basis. Like some kind of Plague Upon the Rock Stars, 2016 wiped out an entire lifetimes’ worth of legends, including David Bowie in early January, then Keith Emerson in March, Prince in April, Leonard Cohen in November and, as the year’s final fuck you — on Christmas day no less — we lost George Michael.
George Michael’s death at age 53 was especially devastating to my close friend Geoffrey, for whom Michael was not only a favorite recording artist but also a creative inspiration and role model. In March, George Michael’s personal art collection will be sold by Christie’s Auction House in London, with all proceeds going towards continuance of Michael’s philanthropic work. But before the collection hits the block to be sold worldwide for millions of pounds, an exhibit of representative pieces is touring a few cities where Christie’s has offices, so that George Michael fans can experience the joy that Michael surely felt while living with these beautiful and moving works of fine contemporary art — many of which are by artists with whom Michael had personal relationships. Geoffrey recently relocated from Manhattan to Chicago, so when he asked me if I would attend the exhibit at Christie’s headquarters in Rockefeller Center, I said that I would. “Take Pictures of Everything,” he implored me, and I did. Sadly, out of the 200 pieces to be sold, the NYC leg of the exhibit only had twelve artworks on display. This is what I saw.
Pictured: Johnny Ramone’s Personally-Owned and Stage-Used 1965 Mosrite Ventures V1 Guitar
Johnny Ramone’s Mosrite Guitar will be featured at a live auction event by Boston, MA based RR Auction this month. The personally-owned and used red 1965 Mosrite Ventures V1 guitar is signed on the body in black felt tip, “Best always, Johnny Ramone, 5/22/90.”
The six-string guitar features several modifications Ramone made to make the guitar fit his sound and style, the most significant being the replacement of the tremolo system with a stop bar tailpiece and installation of a DiMarzio FS-1 bridge pickup, as well as a tortoiseshell pickguard. Included in the sale, is the original hardshell case.
This is a rare instrument in its own right, and the only red guitar or Ventures Model 1 that Ramone owned; it was in his possession for at least seven years, from circa 1982–83 until he sold it in 1990; the first photographic evidence of Ramone playing the guitar comes from a show at the Eagle’s Hippodrome in Seattle on May 5, 1983. Johnny most often used this guitar for TV appearances and it can be seen up-close during a 1988 performance on MTV.
In 1990, Ramone sold this guitar to friend and former Ramones band driver Gene Frawley, signing and dating it on the occasion. A subsequent owner later personally confirmed the ownership details with Ramone, who acknowledged that he owned and used the guitar throughout the 1980s before selling it to Frawley.
“This is one of just nine Mosrite guitars owned by Ramone known to exist — an exceedingly rare and historically important piece of music history,” says Bobby Livingston, Exec VP at RR Auction.
Johnny Ramone was a founding member of the seminal punk band that broke onto the New York music scene in 1974. Johnny was known for his fast, high-energy guitar playing. His style almost exclusively consisted of rapid down strokes and bar chord shapes. This unique playing style and buzz saw-like sound of Johnny’s guitar parts was highly influential on many early punk rock guitarists and keeps him listed on numerous top lists of the greatest guitar players. Johnny Ramone died in his Los Angeles home on September 15, 2004 at the age of 55 after a five-year battle with prostate cancer.
The Johnny Ramone guitar will be part of a special live auction event, featuring nearly 150 items, that will take place on January 22nd, 2015 at RR Auction’s Boston Gallery, but Online Bidding begins January 15th, More details can be found online at RR Auction Dot Com.
RR Auction, an Amherst, NH-based company is proud to present unreleased studio mixes of Led Zeppelin’s 1975 album Physical Graffiti, from the Ron Nevison Collection, as part of its Marvels of Modern Music auction coming up on March 13th, 2014.
Click on Any Image to Enlarge for Detail
The vintage 10″ tape reel of rough studio mixes, recorded on Ampex 406 quarter-inch tape, is labeled and hand-notated with the track listing and recording data. The track listing includes:
Client: Led Zeppelin, Subject: Rough Mixes, Engineer: R. N., Date: 28-2-74, Location: Headley, Speed: 15, Reel: 2.
Song titles and times are listed as follows:
“Trampled Underfoot” — 5:40
“Driving to Kashmir” — 8:50
“Custard Pie” — 4:20
“In the Light (Everyone Makes It Then) ” — 7:18
“Swan Song—Part 1” —1:20 and “Swan Song — Part 2” —1:20
The recording sessions for Physical Graffiti initially took place in November 1973 at Headley Grange, using Ronnie Lane’s Mobile Studio. Out of fifteen songs, eight were recorded over an eight-month stretch. Led Zeppelin made the decision of adding previously unreleased songs instead of dropping some, eventually, making it a double album. However, these sessions came to a halt quickly and the studio time was turned over to the band Bad Company, who used it to record songs for their eponymous debut album.
A highlight of the lot is an early rough mix of one of Led Zeppelin’s most popular songs “Kashmir,“ named “Driving to Kashmir,” in this mix. Jimmy Page well known for his use of alternative guitar tunings along with John Bonham’s drums that featured a phasing effect courtesy of an Eventide Instant Phaser PS-101, supplied by engineer Ron Nevison for the track. The song would become a concert staple for the group – they would perform it at almost every concert after its release.
Also included in the Ron Nevison Collection:
Rough mixes from Bad Company’s debut album recorded in Ronnie Lane’s mobile studio at Headley Grange, including their first hit, “Can’t Get Enough of Your Love.”
Vintage “rough mix” 10″ tape reel of four songs from Clapton’s 1973 album, Eric Clapton’s Rainbow Concert, includes Mixes of ‘Layla’ and ‘Let It Rain.’
Other artists featured include: The Who, Flo and Eddie, Ozzy Osbourne and UFO.
The Marvels of Modern Music auction, from RR Auction will feature more than 800 items and is set to begin on Thursday, March 13th, ending on the evening of Thursday, March 20th, 2014. See the other museum quality pieces up for auction at This Link.
Duke and Duchess of North Caldwell By Federico Castellucio
Fountain Gallery, part of the Fountain House organization and charity is pleased and excited to share the addition of Soprano’s cast member Federico Castellucio’s work to its 100 artist line-up for its annual benefit auction, Mad About Art, scheduled to take place on Thursday, November 21st, 2013. Castellucio played reoccurring character Furio Giunta, a member of Tony Soprano’s crew who was secretly in love with Carmela Soprano, and was a huge fan favorite. Casteluccio has donated one of his original prints entitled, The Duke and Duchess of North Caldwell – in honor of James Gandolfini and Edie Falco, who are depicted as Duke and Duchess from the original painting Duke and Duchess of Urbino by Piero della Francesca, seen below.
Duke and Duchess of Urbino by Piero della Francesca
This year’s Mad About Art will take place on Thursday, November 21st, from 6:00 PM to 9:00 PM, at Cedar Lake, located at 547 West 26th Street in Manhattan. The event theme is A Black and White Affair, featuring striking black and white décor; with the 500 guests expected to attend requested to wear black and white cocktail attire. One hundred original artworks will be presented at auction to benefit the member-artists of Fountain Gallery, New York City’s premier venue representing artists living with mental illness. Singer-songwriter Suzanne Vega is the special musical guest. This should be an exciting and fun event to support an excellent cause!
Event Chairs are: John P. Casaly, Rick Froio, Carmel and Brett Fromson, Dario Gristina, Leslie Harwood, Rich Hiler, Louis J. Mantia, Bonnie and Frank Pratt, Jerry Schumm, Gabriel Stefania. Ms. Harwood and Messrs. Froio, Gristina and Schumm are past Fountain Gallery honorees.
Individual ticket price is $250. Sponsorship levels range from $500 to $25,000. For tickets and information, contact Robyn Marks at 212-582-0341, Ext. 1288, or email firstname.lastname@example.org.
Three Studies of Lucian Freud, a 1969 triptych by Francis Bacon of his friend and artist Lucian Freud, sold for $142.4 million at Christie’s Tuesday night. The unknown buyer won the piece after six minutes of “fierce bidding.”
Thanks to both Geoffrey and Thomas for Encouraging me to Post this as a Bacon Thing! I will be doing a Post next week about the new incredible elo boost services!