Corita Kent (1918 – 1986), also known in the Catholic Church as Sister Mary Corita, incorporated a range of refereces into her silkscreen prints, spanning pop culture imagery and song lyrics, biblical allusions and literary conceits.
Continue reading Modern Art Monday Presents: Corita Kent I Should Be Able to Love My Country and Still Love Justice
Tag Archives: political art
The Victory Column of Enduring Freedom By Edmund Clark
The Victory Column of Enduring Freedom is a monument to the notion of victory in the war in Afghanistan. It is a reference to Emperor Trajan’s column in the forum in Rome which records his campaigns in Dacia, modern-day Romania, through relief sculpture scenes spiralling up the column. The form of the spiralled column has been re-used and reinterpreted through history as an icon of victory, perhaps most notably for the victory column of Napoleon’s Grand Armée in Place Vendôme, Paris, made from captured Russian and Austrian cannons.
Razor wire and aggregate are materials commonly used for the perimeter security and surface imprint of enclaves of occupation in the War on Terror.
Photographed as Part of the Exhibit The Mountains of Majeed By Edmund Clark, On View at Flowers Gallery, Chelsea Gallery District NYC, Through May 6th, 2018.
Photos: Shepard Fairey at Pace Prints and Jacob Lewis Gallery
Pace Prints is currently hosting an exhibition of new print editions by Shepard Fairey, running concurrently with Shepard Fairey: On Our Hands at Jacob Lewis Gallery, the artist’s first solo exhibition of paintings in New York City in five years.
In his new series of prints on handmade paper, Fairey takes on the issue of corporate influence in government and the resulting inaction toward environmental concerns by the powers that be.
In Enjoy Paradise, a 3-color relief print, what at first appears to be an advertisement for a relaxing beach getaway quickly reveals itself to be a bleak landscape where the water flows like an oil slick, and towers loom forebodingly in the background.
In his signature black, cream and red color palette, Fairey combines imagery and text in a tongue-in-cheek manner to speak about serious economic and political issues. Paint it Black, pays homage to the history of rock and roll, using Russian constructivist-inspired graphics to depict a hazardous paint can of “Oil Based Policy,” jutting out into the viewers’ space.
Although, as you can see by the above photos, there was a good deal of breathing room on the 3rd floor during the show’s opening reception, it was a different story on the 4th flo0r, where Fairey was present and signing for fans as well as posing for photos. He is very friendly and accommodating.
Here is the artist being mobbed by fans.
The exhibit also contains some cool sculptures, all of which carry the strong message against the USA‘s “War for Oil” policy. It is very sobering.
Eagle Pearching on a Fist-Enclosed Gas Pump
Detail from Above Sculpture
These exhibits are definitely Must See Art for Shepard Fairey Fans!
Shepard Fairey’s Prints and Paintings will be on Exhibit Through October 17th, 2015 at Pace Prints (on the third floor) and through October 24th at Jacob Lewis Gallery (on the fourth floor) at 521 West 26th Street.
Modern Art Monday Presents: Untitled (Night Train) By David Hammons
This Sculpture / Installation, Untitled (Night Train) (1989) by African-American artist David Hammons had just been re-rotated into display from the permanent collection at MOMA when I visited earlier this month, and I think it’s really terrific.
Continue reading Modern Art Monday Presents: Untitled (Night Train) By David Hammons