Photographer Stephen Shore, known for his images of banal scenes and objects, has observed that “Paying attention all the time is an interesting way to go through the day,” and I could not possibly agree more. I am always on the look-out for cool and unusual Pink Things for the blog, and I surely could have walked right by this fabulously pink banal object if I wasn’t paying close attention! Ladies and gentlemen, I present this week’s pink thing: the Pink Graffiti Mail Box!
A closer inspection of all four sides of the box will reveal that it is no ordinary mail box, but rather one of those formerly-dark-green mail storage boxes, officially known as a Postal Relay Box. I looked it up.
Aside from having been originally vandalized by being painted pink, the box is quite clearly covered with stickers, wheat pastes, stencils and graffiti from a collection of local street artists, who have marked their territory as a dog marks a hydrant. I see Phoebe New York! Also located close by: Graffiti Dumpster!
I especially like the little Slug, seen above.
Photographed at the Corner of Chrystie and Rivington Streets on the Lower East Side, NYC.
The International Center of Photography in New York sold these Bob’s Your Uncle disposable placemats, featuring photographer Stephen Shore’s images of food and plates, in 2007, when the institution hosted a survey of Shore’s work that had toured throughout Europe and the US.
Photographed as Part of the Stephen Shore Career Retrospective, on Exhibit Through May 28th, 2018 at the Museum of Modern Art in NYC.
In 1971, Child Guidance Products manufactured the Mick-a-Matic Camera: a large plastic body shaped like Micky Mouse’s head with a viewfinder in its forehead, a lens in its nose and a flash between its ears. The camera was designed for children, but photographer Stephen Shore used it throughout 1971 to take dozens of images, some of which appeared in the exhibition, All the Meat You Can Eat. These pictures marked Shore’s first artistic use of color photography.
Mickey Mouse Head Camera was Photographed as Part of the Stephen Shore Career Retrospective, on Exhibit Through May 28th, 2018 at the Museum of Modern Art in NYC.