Hey guess what, Bitches? Flying Tiger has reopened their Manhattan-based stores and I could not be more excited to shop there once again! I happened to be uptown yesterday near 74th Street and Third Avenue and stopped into the store at that location hoping to find a Pink Thing or two for blog. Mission: accomplished!
Kids love to play with Slime, and Flying Tiger is currently selling Pink Slime in a Pink Pig-shaped container. Squeal.
I believe the “cloud” graphic on the packaging is meant to indicate that the slime is soft to the touch, and not that it farts or emits gas of any kind when poked with a finger. I neglected to note the price of this fun pink thing, but my guess would be that it sells for around $3.00.
JeongMee Yoon’s photograph, Jeeyoo and Her Pink Things (2007) from The Pink Project (2005 – ongoing) inspired this diorama of Pink Girls Toys, which provides a launching focal point the new exhibit, Pink: The History of a Punk, Pretty, Powerful Color up now at the Museum at FIT.
Pink Shrine, Left Side Detail
The idea that pink is for girls and blue is for boys is ubiquitous today. Already conspicuous in the 1950s, when it was part of an ideological push towards gender conformity, the pinkification of girl culture really took off in the late 1970s and 1980s.
I could have stood in front of this breathtaking Shrine to Pinkness forever.
Please enjoy a few more detail shots of this Pink-Lover’s Paradise!
Pink: The History of a Punk, Pretty, Powerful Color Will Be on Exhibit Through January 5th, 2019 at The Museum at FIT, Located at Seventh Avenue and 27th Street in NYC.
Whether you’re seeing his colorful works out on the street, or in the gallery, Kenny Scharf has one of the most instantly recognizable styles in the contemporary art world. Deitch Projects downtown is currently hosting Inner and Outer Space, an ambitious exhibit of Sharf’s newest works which features several distinct collections that provide evidence of Scharf’s enthusiasm for expanding his oeuvre, while staying true to the playful characteristics of his work that his fans love the most.
You can get a hint of what you’re in for before you even stop inside the gallery
The faces are melting in Kenny Scharf’s new paintings. “Things are disintegrating,” says the artist. “I am reacting to our increasingly out-of-control situation.” Scharf’s work continues to be infused by his inexhaustible optimism and his sense of fun, but there has always been an engagement with profound issues beneath the façade. Ecology, the environment, and capitalist excess have long been central themes.
Kenny Scharf’s work has always combined and contrasted the pop culture he absorbed growing up in Los Angeles with the important innovations in modern and contemporary art. His earlier work fused Dali and Disney. More recently, he has been in dialogue with Pollock and Abstract Expressionism. In the new work, he merges his distinct style with color field and stain painting. “I like to connect with every movement in 20th-century art,” Scharf explains. “I make new hybrids, taking it all in and putting it in a blender.”
Scharf is very enthusiastic about his new “sloppy style” that characterizes the major paintings in the exhibition. Rows of faces disintegrate into colorful drips reminiscent of both New York School painting and the serial imagery of minimal art. In these new works, Scharf is striving to create clear and simple forms that resonate with meaning. He feels liberated and excited, adding that “it is so much fun.”
Like his artistic colleagues from his early years in New York, Jean-Michel Basquiat and Keith Haring, Scharf studied cartoons as a way to intensify figurative expression. He makes use of cartoon faces to express emotion with abstract power.
In the past, Kenny found many of the items integrated into his art in the garbage,and even today he still stops his car when he finds plastic toys and TV sets thrown away on the street. These discarded plastic objects have inspired the two other bodies of work featured in the show, one being TV Bax.
The TV Bax are painted on the plastic backs of discarded television sets. Like the toys, the TV backs have a disconcerting anthropomorphic quality. Scharf wonders if their anonymous designers created these plastic covers, which are different for every model, to resemble a face.
TV Bax, Detail
Scharf finds these thrown-away toys and TV backs to be poignant objects, resonant with emotion. “Each of these objects carries a story,” Scharf explains. He thinks about how people might have struggled and sacrificed to buy these toys and TVs, and about the intense relationship that children and families have with them. Scharf resurrects the lives of these inanimate objects in his work. He also notes that garbage keeps changing with technology. The backs of TV sets used to have large protruding “noses.” Now they are flatter and more similar to a canvas.
Another new collection, his Assemblage Vivant Tableaux Plastiques, inspired by the Nouveau Realistes, are constructed from his stock of recycled plastic toys. These wall sculptures, which mix assorted toy parts with Scharf’s whimsical animated faces, are my favorite items in the exhibit.
Installation View
Assemblage Vivant Tableaux Plastiques, Detail
Since his childhood, Scharf has been fascinated by outer space. Space travel and the portrayal of infinite space have long been central themes. In his life and in his work, he tries to eliminate boundaries and borders. As he pursues his dialogue with the great painters of the New York School, he is increasingly preoccupied with the inner space of painting. His exploration of inner space creates a dynamic tension with his passion for outer space. With his characteristic exuberance and his moral voice, Scharf reformulates his unique combination of Pollock and Pop to create a vibrant new body of work.
Kenny Scharf’s Inner and Outer Space will be on Exhibit Through December 22nd, 2017 at Deitch Projects, Located at 18 Wooster Street (Just North of Canal) in NYC.
Kenny Scharf and Friend at the Exhibit’s Opening Reception.
A Paracosm is a detailed imaginary world created inside one’s mind. Such a fantasy world may involve humans, animals and things that exist in reality, or it may also contain entities that are entirely imaginary, alien and otherworldly. Commonly having its own geography, history and languages, the experience of such a parascosm is often developed during childhood and continues over a long period of time: months or even years.
Paracosms are also made reference to as types of childhood creativity and problem-solving. Some believe that paracosm play indicates high intelligence. In his installation entitled Midnight Paracosm, Tennessee-based artist Matthew Dutton is creating his own world of creative play. And if you are already familiar with Dutton’s delightfully disturbing found object sculptures, you will understand that this tableau represents exactly what is going on in his mind most of the time.
Taxidermy Deer with Santa Mask and Wig/Beard
My Absolute Favorite: Hula Baby in a Birdcage with Blonde Fall
If you’re the parent of small children and are looking for a fresh and fun Christmas film to watch with them, you might want to check out HOLY NIGHT! A family-friendly adventure film appropriate for children of all ages, HOLY NIGHT! takes place on Christmas Eve. Two toy worlds live together in the living room of a house. Two traditions confronted. On one side, the Christmas tree, home of Santa Claus and his elves. On the other, the Nativity Scene with the Three Wise Men and the rest of its inhabitants.
When everyone is ready to celebrate a quiet Christmas the alarm goes off: somebody has stolen Santa’s sleigh and Baby Jesus has been kidnapped! Follow our heroes, Sam and Sarah, in an incredible adventure to save the most magical night of the year! Sounds like fun, right?
In 1965, the Arco toy company (later acquired by Mattel) manufactured a Flintstones Bowling Game with pins molded in the likeness of Fred Flintstone. Fred sure did love to bowl.
Photographed in the Museum of the Moving Image in Queens.
