Photo By Gail
In 1985, John Baldassari began using dots to obscure faces, which became one of his most recognizable devices. By removing the distinguishable features, Baldassari turns the figure into an archetype. In Buildings, Guns, People: Desire, Knowledge, and Hope (with Smog) includes dot-covered faces in generic photographs from political and social functions, turned on their sides.
Continue reading Modern Art Monday Presents: John Baldessari, Buildings=Guns=People…
Photo By Gail
Kenny Scharf (b. 1958)Â moved to New York City in 1978 to attend the School of Visual Arts, and rose to prominence in the downtown art scene alongside his friends Keith Haring and Jean-Michel Basquiat. Influenced by popular culture and comic books, Scharf’s distinctly colorful and dynamic work presents joyful worlds filled with carton and anthropomorphic characters.
Continue reading Modern Art Monday Presents: Kenny Scharf, Inside Out
Photos By Gail
In Weeping Warrior (2022), Patrick Martinez interweaves influences from Mexico and Los Angeles to celebrate the Latinx community and the city’s ever-changing nature. According to Martinez, the mirrored tiles are inspired by the downtown bar La Cita, while the neon evokes the patterns and signs of LA storefront and restaurants.
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Review and All Images By Geoffrey Dicker
Moments before entering The Broad Museum in Downtown Los Angeles to see Keith Haring’s comprehensive career retrospective  Art Is For Everybody, I (coincidentally) received an email reviewing the show. The article was titled Is Art for Everybody? Despite being very familiar with Haring’s work, I wanted to avoid any spoilers, so I waited to read the article; however, as I walked through the exhibit, that headline stuck with me.
Continue reading Keith Haring’s Art is for Everybody at The Broad
Photos By Gail
Jack Goldstein (1945 – 2003)’s career encompassed film, performance, sound, painting, and writing. Associated with the pictures generation, a group of artists whose works are rooted in appropriation and media theory of the late 1970s and ’80s, Goldstein painted from found images such as World War II photographs, and stills of astrological and natural phenomena.
Continue reading Modern Art Monday Presents: Jack Goldstein, Untitled