WERC Armadillo Mural in Hell’s Kitchen

 WERC Pantone Armadillo Mural
Photos By Gail

When Pantone teamed up with Instagram to promote their 2016 Color of the Year (which, in that year, was actually two colors: Rose Quartz and Serenity), they chose muralist WERC (@W3RC) to represent NYC with this depiction of a man wearing an Armadillo as a Helmet, or something like that. Read the full story behind this mural, and the global ad campaign of which it was a part, This Link.

WERC Mural Site View

Photographed at the Southwest Corner of 10th Avenue and 50th Street in Hell’s Kitchen NYC.

WERC Pantone Armadillo Mural

Eye On Design: Glass Block Couch By Arcana Furniture & Lighting

Glass Block Couch
All Photos By Gail

It didn’t take long for me to spot the clear favorite piece of the entire 2019 Architectural Digest Design Show. This Glass Block Couch from Arcana Furniture & Lighting of NYC had the entire show buzzing! Continue reading Eye On Design: Glass Block Couch By Arcana Furniture & Lighting

Theater Review: The Lighting Thief, The Percy Jackson Musical

Lightning Thief Marquee
Above Photo and Playbill Image By Gail. All Other Performance Photos By Jeremy Daniel.

You just can’t keep a good thing down. Nine years after it debuted as a major motion picture, The Lightning Thief: The Percy Jackson Musical – based on the New York Times best-selling book, The Lightning Thief by Rick Riordan, is back with a national theater run. The two-act rock musical, written by Rob Rokicki and Joe Tracz (Be More Chill), first played in NYC in 2017 for a short run. Due to the show’s popularity, fans of the book series demanded that the play be available to a larger audience, and a National Tour was launched in January. This past week, the tour made a four-day stop at NYC’s Beacon Theatre, and I was able to check it out.

Continue reading Theater Review: The Lighting Thief, The Percy Jackson Musical

Modern Art Monday Presents: Joan Miró, Woman (Opera Singer)

Woman Opera Singer
Photo By Gail

In a series of pastels made in the fall of 1934, Joan Miró pursued what he called “aggressiveness” through color. Rendered in acidic, highly saturated and dissonant hues of thickly applied pastel, the isolated figure of Woman (Opera Singer) appears to protrude from the paper’s surface, Her asymmetrical head, twisted open mouth, overinflated genitalia, and single toenail resist the corporeal ideals embraced by the various fascist parties that were gaining power across Europe at the time.

Photographed as part of the Exhibit Joan Miró, Birth of the World, on View at The Museum of Modern Art Through June 15th, 2019.