Tag Archives: Ad Reinhardt

Modern Art Monday Presents: Ad Reinhardt, Number 22

Ad Reinhardt Number 22
Photos By Gail

Ad Reinhardt (19131967)  studied both Eastern and Western art history at the undergraduate and graduate levels. He deepened his understanding of Buddhism and other Eastern philosophies by attending the lectures of Zen teacher Daisetz Suzuki at Columbia University. Number 22 (1949) shows Reinhardt fusing Eastern and Western traditions by using calligraphic brushwork inspired by Chinese and Japanese calligraphy in a gridded composition influenced by those of de Stijl cofounder Piet Mondrian.

Ad Reinhardt Number 22 Detail
Number 22, Detail

In classical East Asian painting, the fragility of paper wet with ink limits the artist’s ability to rework the composition. The sturdier canvas support and slower-drying oil paints used throughout much of the history of Western painting allows artists to highlight various revision and layering techniques. Although he worked in oil on canvas, Reinhardt chose to restrain himself and not rework his painting’s surface, in keeping with Asian calligraphic traditions. The result is a far more controlled manner of gestural painting than those of the Abstract Expressionists.

Photographed in the Guggenheim Museum in NYC.

Josiah McElheny Paintings at Andrea Rosen Gallery

Crystalline Prism Painting
All Photos By Gail

Although it wasn’t on my list for that day’s art crawl, I was drawn into the Andrea Rosen Gallery by a glimpse of one of Josiah McElheny’s “Paintings” as seen from the street. These works instantly reminded me of the hyper-realist Jewel Paintings of Damien Hirst, so I was fascinated right away. To better convey what these paintings are all about, I’ve borrowed some text taken from the exhibit’s official press release.

Continue reading Josiah McElheny Paintings at Andrea Rosen Gallery