Anyone who’s visited Vancouver knows it’s a beautiful city with endless natural wonders to enjoy and explore. It makes sense that much of their public art also thematically emulates and plays with nature. A perfect example is The Drop (2009) which was conceived and created by Inges Idee, a group of four Berlin-based German artists: Hans Hemmert, Axel Lieber, Thomas Schmidt and George Zey. The group’s activity focuses on art in public spaces, with The Drop being their first installation in North America. Continue reading The Drop, Vancouver BC Waterfront
Tag Archives: blue
Ocean Shoe Street Art
It was a dark and stormy afternoon when I first spotted this unique piece of sculpture bolted to a street sign on East 13th Street (near Ave A). I went in for a closer look:
Alex Da Corte’s As Long As The Sun Lasts at the Met Roof Garden
I’ve been fortunate to visit the Metropolitan Museum of Art probably half a dozen times since it reopened last July, post-Covid lockdown, but the building’s roof garden only just reopened in April, for the debut of its latest site-specific commission. As Long As The Sun Lasts, by Philadelphia-based artist Alex Da Corte, is a whimsical mash up of Sesame Street and the works of Alexander Calder that could light up the rooftop even on the cloudiest day.
Continue reading Alex Da Corte’s As Long As The Sun Lasts at the Met Roof Garden
Glass Vase With Dolphins
Symbols of speed and good fortune, Dolphins swim down the sides of this ocean-colored vase (1866–70s) from Salviati & Co. John Ruskin’s Stones of Venice created a wave of enthusiasm for the lost art of cristallo. Published from 1851 to 1853, Ruskin’s book proved a stroke of good luck for Venetians seeking to revive old glassblowing techniques.
Photographed at the Metropolitan Museum of Art in NYC.
Modern Art Monday Presents: Cyril Edward Power, Speed Trial
This linoleum cut print, Speed Trial (1932), was inspired by Bluebird, a race car that reached a velocity of 246 miles per hour at Daytona Beach, Florida in 1932, breaking the land-speed record. Artist Cyril Edward Power (1872 – 1951) used rhythmic, repetitive curves to conjure the rushing motion of the aerodynamic vehicle. He printed the image using three layers of color: light blue, dark blue, and green. He stipulated that the dark blue should be printed “dark on bonnet, paling to tail” — a graded passage that emphasizes the engine, at the front of the car, as the source of its power.
Photographed in the Museum of Modern Art in NYC.