Creativity is a crucial part of our lives, allowing us to express ourselves in unique and innovative ways. By embracing your creative potential, you get the opportunity to build on existing ideas while creating something entirely new. Continue reading Ten Creative Ways to Express Yourself Through Art
Ad Reinhardt (1913 – 1967) studied both Eastern and Western art history at the undergraduate and graduate levels. He deepened his understanding of Buddhism and other Eastern philosophies by attending the lectures of Zen teacher Daisetz Suzuki at Columbia University. Number 22 (1949) shows Reinhardt fusing Eastern and Western traditions by using calligraphic brushwork inspired by Chinese and Japanese calligraphy in a gridded composition influenced by those of de Stijl cofounder Piet Mondrian.
In classical East Asian painting, the fragility of paper wet with ink limits the artist’s ability to rework the composition. The sturdier canvas support and slower-drying oil paints used throughout much of the history of Western painting allows artists to highlight various revision and layering techniques. Although he worked in oil on canvas, Reinhardt chose to restrain himself and not rework his painting’s surface, in keeping with Asian calligraphic traditions. The result is a far more controlled manner of gestural painting than those of the Abstract Expressionists.
Photographed in the Guggenheim Museum in NYC.
Leila Heller Gallery is currently hosting an exhibition of recent works by Persian artist Pouran Jinchi. Drawing on diverse cultural sources including literature, history, Folk art and religion, Jinchi has developed a visual vocabulary that inhabits the space between abstraction and calligraphy.
The gravity-defying sculpture works of Zheng Lu are deeply influenced by his study of traditional Chinese calligraphy, an art form he practiced growing up in a literary family. Zheng Lu uses language as a pictorial element, inscribing the surface of his stainless-steel sculptures with thousands of Chinese characters derived from texts and poems of historical significance. Continue reading Zheng Lu’s Water Dripping – Splashing at Sundaram Tagore Gallery
Geoffrey and I were in the thick of an exhausting Art Crawl last Saturday, trying to catch up on dozens of exhibits whose opening receptions we weren’t able to hit on September 12th — the official kick off to the NY Art Scene’s Fall/Winter Season — when we were drawn into the Leila Heller Gallery by the colorful graphic mural by Tunisian artist el Seed wrapping the gallery’s windows from 25th Street around the corner and down 11th Avenue.
I really enjoyed this exhibit, which has close to a hundred pieces by dozens of contributing artists. Read the press release for more information at This Link. I’m just going to post photos I took of a few of my favorite pieces without much further commentary, if any.