Well, it appears to be that time of year / the pandemic (again) where we’re going back to school, or returning to the office — or at least making an effort. This reboot of a once-famliar-but-now-somewhat-strange ritual necessitates the reexamination of what items we must shove in our purse or backpack so that we feel safe and comfortable leaving the house. You probably have a list: hand sanitizer, tissues, extra mask, and — something I never leave home without — lip balm. Last year, we reviewed the Mongo Kiss Lip Balms by Eco Lips and found this line of all-natural lip protection to be high quality and also fun to use. Win win!
Now, Eco Lips ups their game by introducing a CBD infused line of all-natural lip balms, CBD ME, which ticks all the boxes for me.
When I was a kid, we definitely did not have cool backpacks like this one: all hot pink and black with a Pink Glitter Batman emblem on the front. So stylish! I spotted this at the Lot-Less Closeout Store, located at 17 West 14th Street in Manhattan.
Back to School: three little words that stir anxiety in the young and the young-at-heart. Nobody wants summer to end, but while you can’t stop time, you can keep your summer vibe alive by adding Pomchies accessories to your back-to-school shopping list. Established in 2002, Pomchies is a line of fun fashion, home and lifestyle accessories with amazingly practical uses.
Divided Trays, Snack and Sandwich Pouches, and Easy Squeezy Food Pouches by Kinderville (All Photos By Gail)
Summer is almost over and it’s time to think about going back to school. Ugh, I know; it can be a drag. But school is somewhat more fun when you are bringing your lunch and snacks in containers that are as cool and colorful as those made by Kinderville. A Mom and Dad created the Kinderville line of products as a safe and easy solution to storing and serving their kids’ lunches and snacks. With a focus on quality, and the use of safe materials, their food storage designs are not only easy and fun for kids to use, but they’re also 100% non-toxic, while embracing Green consciousness as well!
Combs, (2016) By Hassan Sharif (All Photos By Gail)
We were first introduced to the suspended sculptures and assemblage art of Hassan Sharif in the exhibit Here and Elsewhere at the New Museum back in 2014. Right now, Alexander Gray Associates is hosting a exhibit of Sharif’s recent work, featuring sculptures and woven assemblages. Recognized as a pioneer of conceptual art and experimental practice in the United Arab Emirates over the past four decades, Sharif has transgressed traditional frameworks for art making by extending his practice to performance, installation, drawing, painting, and assemblage that integrates ordinary objects as the primary medium. The tapestry-like works in this exhibition are conceptually linked by their relationship with the human body and social structures.
Combs, Detail
For this series, the artist creates artworks from sourced inexpensive and mass-produced goods that he buys at local markets in his native Dubai. By cutting, bending, grouping, and braiding these cultural artifacts, he sheds their functionality to enhance their aesthetic and political significance. For Sharif, “the work is about consumerism. “I use cheap materials, ordinary things that are readily available in the market,” he explains.
Back to School (2015)
By weaving together, in the ancient tradition of tapestry making, ordinary objects consumed by today’s society, Sharif points both to the hyper-industrialization impacting everyday life and the abandonment of old traditions that were key to building strong bonds among the members of communities in the past. On his interest in unifying aspects of both the ancient and modern, the artist explains “I want to nurture new ways out of the old and present these in a contemporary visual and artistic context.”
Back to School, Detail
In Sharif’s body of work, the rhythmically repetitive act of weaving echoes the involuntary functions of the human body, such as swallowing, breathing, and blinking. At the same time, the materials deployed to create the works in this exhibition, including combs, nail clippers, masks, and gloves are traditionally used to modify or cover the body. Recently, Sharif has centered his production around large-scale wall sculptures that incorporate objects that as he describes, “people depend on greatly to keep up with their daily routines and activity. So long as they are alive, they keep using, exhausting, and relying on them as if they are, in one way or another, part of their own bodies.”
Masks (2016)
In Masks, Sharif creates a grid of many colored face masks which cascade towards the floor, tied to one another by their black ribbons to ultimately form an irregular fringe at the bottom of the sculpture. The artists notes that masks have “an important historical role. In the Middle East, women cover their faces with veils. In Africa [masks are] used in dances to ward off evil spirits. Hiding one’s identity has become increasingly important.”
Masks, Detail
Ladies and Gentlemen (2014)
For Ladies and Gentlemen, he assembled mass-produced and inexpensive female and male shoes, into a drape-like object that emphasizes seriality and the dislocation of functional objects. His use of shoes speaks to an interest in sexual politics across centuries and geographies; in the work, men and women occupy a common space, and are bound together with hand-painted papier maché and ropes. In this way, he refers to the intrinsic connection between individuals and society.
Ladies and Gentlemen, Detail
Sharif’s interest in visual accumulation, and in systematic production, calculations, and geometric permutations are apparent in his choice of material for Combs (2016). For this work, he assembled plastic combs in a variety of bright colors, which jut out from the wall at irregular angles creating a haphazard visual rhythm. For the artist, combs, widely used to tidy hair, exemplify the use of logic necessary in mass-production of consumer goods. As he explains, “the number of teeth, the distance between them, their length and thickness, all seem to be well calculated, and they have been so for thousands of years.” Sharif echoes the geometric precision of the combs by organizing them in a meticulous gridded pattern in space, following a calculated mathematical model of his own invention, to create a hanging tapestry.
New Works by Hassan Sharif will be on Exhibit Through May 14, 2016 at Alexander Gray Associates, Located at 510 West 26th Street, in the Chelsea Gallery District
Punching Bag (Left Background) and Artificial Leg (Right Foreground)
