Standing on Avenue B and looking east down 8th Street, I saw an unidentifiable Pink Thing that caught my eye, and I went to investigate. Because: Pink Thing.
It was a bright Pink Mylar Balloon in the shape of a Number 1! Someone had tethered it to the railing running around the side of the Church of St. Brigid, which is situated at that corner. The balloon’s origin remains a mystery.
Born in New York to German American musicians, Lyonel Charles Feininger (1871 – 1956) travelled to Germany in 1887, and remained in Europe for several years to study art. While in Paris, he encountered Cubism and embraced its rationality and abstraction of form and space. “Cubism is a synthesis,” the painter explained, “but it may be degraded into mechanism. My Cubism is visionary, not physical.”
Feininger most famously applied his visionary style to architectural subjects that resonated with metaphysical meaning, especially churches. Here, the artist depicts the village church of Lehnstedt(1917) and its wooded environs with his characteristic crystalline and refracted forms.
Photographed in the Metropolitan Museum of Art in NYC.
All Photos By Gail (Click on Any Image to Enlarge for Detail)
You don’t have to dig very deep to find a well of meaning in the works that make up sculptor Al Farrow’s new exhibit Wrath & Reverence, currently up at Forum Gallery in Midtown. In perhaps the most unique and profoundly thought provoking exhibit we’ve see in recent years, Wrath & Reverence consists of churches, synagogues, mosques, a mausoleum, Jewish ritual objects and Christian ‘casket’ reliquaries, all rendered from munitions. It brings the phrase ‘Holy War’ into an entirely new reality.
Mosque III (After National Mosque of Nigeria)
The buildings are highly detailed and faithful to reality in terms of proportion and architectural design.
Bombed Mosque (Front)
One monumental sculpture, Bombed Mosque, took the artist a year to create in his California studio, using more than 50,000 disarmed bullets and shell casings. The patterns and decorations formed from patinated and polished bullets adorn the structure in hauntingly accurate turquoise and gold; but one side of the massive dome is blown open, bombed in fact, speaking to the deep chasm between religious sects.
Bombed Mosque (Back)
Menorah (Fence II)
A Menorah, crafted from barbed wire and machine gun shells, is clearly layered with meaning and reference, but is an object of great reverence as well, attuned to past and present while statuesque and compelling in its presence.
Farrow makes art not about a certain religion, but about the repetition of history, the inexorable battle of mankind, and the perversion of organized religion as a whole.
Trigger Finger of Santo Geurro (Detail)
Sacred and profane, metaphoric and literal, gleaming and shocking, Al Farrow’s Wrath & Reverence is unforgettable and deeply moving.
Sketch Of Trinity Church
This exhibit marks my first visit to the Forum Gallery, a legendary space that I was turned on to after being highly impressed with their various exhibits at this years Metro Curates Art Fair.
The room is gorgeous and the people who work in the gallery are very nice and friendly, which can be a rare thing these days. I will definitely be visiting them again, and covering more shows at Forum in the future. For now, make sure you don’t miss Al Farrow’s Wrath and Reverence, which is just fantastic. Mausoleum II
Wrath and Reverence, the Art of Al Farrow will be on Exhibit Through May 2nd, 2015 at Forum Gallery, Located at 475 Park Avenue , NYC.