Photo By Gail
In his writing, teaching, and powerful abstract works, Hans Hofmann advocated for what he called the dynamic “push and pull” of color, light, and shape as the best means for achieving a sense of space, movement, and emotion in painting. Filled with bold strokes the in some cases join to form larger, irregular blocks of color, Deep Within the Ravine (1965) features a pool of deep blue-black that appears compressed by passages of green and orange around it. Exhibiting Hofmann’s interest in complementary hues (blue / orange and green / red) for their inherent contrast, the painting is part of The Renate Series, a group of nine compositions he created as a tribute to his wife in 1965.
Photographed in the Metropolitan Museum of Art in NYC.
The Thirteen Seasons (Heavy on the Winter) #6: Fall, 1994 By Mike Kelley (All Photos By Gail)
Skarstedt’s Chelsea gallery is currently hosting an exhibition of Mike Kelley’s shaped paintings, never before seen as a group. Dating from the early to mid-1990s, this body of work demonstrates Kelley’s return to the medium following a 15-year span of performance, multimedia and installation art. Deconstructing the canon of modernist color and composition, the paintings manifest Kelley’s psychological road map through images recovered from his memory. Continue reading Mike Kelley, Shaped Paintings at Skarstedt Gallery
Photo By Gail
One of the most accomplished abstract painters and influential teachers of the 20th century, Hans Hofmann (1880-1966) shaped three generations of artists, both in Europe and the United States. These students included Joan Mitchell, Larry Rivers, Allan Kaprow, and Marisol. As a painter, Hofmann is best remembered for his exhilarating large scale compositions that explore dynamic color and spatial relationships, topics about which he wrote widely-read essays.
Continue reading Modern Art Monday Presents: Hans Hoffman, Veluti in Speculum