This week’s Pink Thing comes from the incredibly talented Florida-based artist Scott Scheidly, and his latest series of hyper-realist portraits, which he calls Glamour Shots. Part of Scheidly’s ongoing “Pink Series,”Glamour Shots consists of vibrantly painted satirical portraits in which the artist depicts celebrities and notorious politicians dressed in hues of pinks and purples. Named for the glamour shots photography style popularized in the 1990s, Scheidly draws inspiration from this campy genre, draping figures in pearls, satin gloves and feather boas. I saw the Glamour Shots exhibit at NYCs Spoke Art Gallery and immediately fell in love with this portrait of David Bowie as Jareth the Goblin King from the movie Labyrinth.
Find out more about the art of Scott Scheidly at This Link!
David Bowie’s Jareth the Goblin King Costume, Wig and Props from Labyrinth (Photographed By Gail at Seattle’s EMP)
All of this very sad David Bowie news is the only thing that is making people click on links this week, it seems, and we are all in need of a serious laugh, as a respite from our endless weeping. So, here you go, just in case you missed this brilliant piece of alternative film criticism by Rob Bricken when it was originally published at This Link in April of 2013:
A curious movie watcher [asks]:
I realize that you may not be able to answer this question in the same way that ladies and gay men would be, but in your professional opinion as a nerd and movie watcher, which had the greater visual impact in their respective films: David Bowie’s pants in Labyrinth, or Sting’s eagle-shaped codpiece in the Dune movie? In both cases, I felt strongly that their respective directors filmed them in such as way as to convince me that [their crotches] were completely independent, possibly sentient entities. If so, do you think they should have also received separate acknowledgement during the end credits in their films?
Well, you’re right in that I might have a different answer than some, so consider this my opinion, and nothing more: I say the Bowie Bulge in Labyrinth had more visual impact than Sting’s Stinger in Dune, and here’s why:
First of all, Sting’s underwear in Dune — while winged and containing a massive bulge — doesn’t really show off a lot of detail. Obviously, Sting’s packing something down there, but the underpants themselves cover a volume of space, which Sting’s junk could be contained with room to spare, or fill to the brim. The underpants are solid and opaque, so there’s no way to know for sure.
Meanwhile, Bowie is wearing tights in Labyrinth that show off his Diamond Dog in stunning detail, so we know it’s enormous. It might — might — be smaller than Sting’s package if it truly maxes out its container, but I say the visual proof of Bowie’s gargantuan batch beats Sting’s potential.
But that’s not all; Sting is only in his skivvies for one scene in Dune, while Bowie is strutting around in his Pants Magic Pants for almost the entirety of Labyrinth. More importantly, the way Lynch made Dune, the film — well, Sting’s near-naked duel makes sense, visually and conceptually, within the film’s style. It has a visual impact, but it’s an impact on par with things like the Sandworms and Baron Harkonnen and all that.
Meanwhile, Bowie’s package is the sexual tyrannosaurus hiding in plain sight in what is supposedly a fun kids’ fantasy-adventure movie. While technically more subtle, this half-hearted attempt to hide it is like trying to hide an elephant in your closet — it just makes the elephant a lot more obvious. And most importantly, remember, Labyrinth is about a teenage girl trying to rescue her baby brother from goblins — and the fact that the Goblin King has a massive, massive dick adds this weird, omnipresent sexuality to the entire movie, which I’m not 100% sure wasn’t included on purpose. I say Bowie’s bulge definitely had the bigger impact (so to speak). Also, I am 99% sure Bowie’s penis has its own SAG card.
Should I mention that “Postal Apocalypse” is my favorite thing I do at io9, or does the fact that I got to write 300 words about David Bowie’s crotch in Labyrinth make it go without saying?
When I was planning a four-day stay in Seattle, one of the attractions I knew I couldn’t miss was the Experience Music Project pop culture Museum. I’ve been curious about visiting the EMP. since it was first in construction, which was about 15 years ago. Originally, it’s my understanding that the museum was being built and funded by Microsoft co-founder Paul Allen to house his extensive Jimi Hendrix memorabilia collection. But obviously, it’s expanded quite a bit since that original, rather narrow concept.
Space Needle Reflected in the Exterior of the EMP
Conveniently located in the Seattle Center, literally in the shadow of the Space Needle, and adjacent to several other top tourist attractions, the EMP is certainly one of the most unusual examples of modern architecture I’ve ever seen. When viewed from the top of the Space Needle, this Frank Gehry-designed structure looks like a Giant took a handful of various boxes of different shapes and colors, and stuck them all together. But this unique approach to modern design has created a fantastic space that provides exhibit halls for not only local music history and an extensive trip down memory lane with the Jimi Hendrix Experience in London, but separate wings for science fiction, fantasy film and literature, horror movies, and the current temporary exhibit highlighting Women Who Rock. Here are a few photos I took during my visit in July of 2013.
Any Jimi Hendrix fan is going to be blown away by the Hendrix Experience Hits London section, which fills several ground floor galleries.
Not only will you see vintage, authentic stage costumes worn by Jimi, Noel Redding and Mitch Mitchell, but the walls of the galleries are plastered with photographs, news clippings, magazine articles, vinyl albums and posters that telegraph the band’s rise to stardom after their initial visit to the UK. All I can say is, it must be nice to be Paul Allen.
Around the corner from the Hendrix exhibit is an exhaustive documentation of the Nirvana’s impact on the Seattle grunge punk music scene during the 90s. You could easily spend a couple of hours in this section, just reading all about some of the best bands that came from this genre-defining region of the country such as Mudhoney, Soundgarden, Pearl Jam and many other Sub Pop signings as well as projects from legendary genre producers such as Jack Endino.
In addition to extensive documentation, Photos, Personal Letters, CD covers, magazine articles, costumes and props, there’s also one of Dave Grohl’s drum kits and other one-of-a-kind memorabilia. Whoever created this part of the museum did so with a good deal of love.
Fantasy film enthusiasts will not want to miss the Fantasy: Worlds of Myth and Magic exhibit where I enjoyed seeing costumes such as those worn by David Bowie in the film Labyrinth as well as many other props and costumes from classic films such as The Hobbit, the Wizard of Oz and Clash of the Titans, to name but a few.
Captain Kirk’s Enterprise Command Chair and Tribbles
On another floor there’s an exhibit dedicated to Icons of Science Fiction. Not only are there props and costumes from science-fiction films, but also there are small exhibits on popular books of the genre that laid the foundation for much of the visual media that came in their wake.
Dalek from Dr. Who
Can’t Look Away: The Lure of Horror Film is also a very fun exhibit. Aside from the expected props and costumes, you can personalize your experience by participating in interactive exhibits including the Scream Booth and Philip Worthington’s interactive shadow monster installation – which is just insane.
Rest your weary feet with time spent in a dozen video kiosks where you can sit in near darkness and watch horror film clips (commentary included) curated by directors Roger Corman, John Landis and Eli Roth. Super fun and also very educational!
Outfits Worn by Chrissie Hynde and Kim Gordon (Image Courtesy of the EMP)
The museum’s top floor is home to a large interactive studio recording exhibit, where you can actually play instruments and record your own music. It’s also where you’ll find the museums latest exhibit, Women Who Rock, which just opened in June. Women Who Rock does an ambitious job of documenting female artists from the 50s through to present including pioneers such as Brenda Lee, Leslie Gore, Loretta Lynn, Ronnie Specter and many of the girl groups through to the punk rock movement, groundbreaking all-female rock groups such as The Runaways and The GoGos and on to superstar solo artists from Madonna to Shakira and, of course Lady Gaga. Unfortunately, my camera battery ran out just as we were entering this particular exhibit, so the only photos I have are ones I pulled from EMP’s website.
Rihanna Music Awards Outfit (Image Courtesy of the EMP)
The Experience Music Project is a must-see destination for any music and film fan’s trip to the beautiful and vibrant city of Seattle. Exhibits change from time to time so make sure you consult the museum’s website to find out what they have in house during your planned visit.
If Six Was Nine Kinetic Guitar Sculpture
The EMP Museum is located at 325 5th Avenue N, Seattle Center, WA, convenient to the Seattle Center Monorail. Hours are 10:00 AM to 7:00 PM Daily. Visit This Link for additional exhibit schedule and admission information.
OK, normally, when I post any photo of a tattoo, it’s because that tattoo is fairly heinous. But this tattoo above, depicting Jareth, the Goblin King as portrayed by David Bowie in the 1986 film Labyrinth is, well, quite sharp actually. It’s not necessarily my bag (if I were going for a Bowie Tatt, I’d be much more likely to choose a Ziggy Stardust likeness) but it’s still very skillfully done! What do you think?