Ziggy played guitar Jamming good with Weird and Gilly, And the spiders from Mars . . .
Hey Bitches, check out this beer I found at the new Trader Joe’s that just opened two blocks from the Chickpad! Weird & Gilly (named for two members of David Bowie’s Ziggy Stardust-era band, The Spiders from Mars) is a single cut, double dry hopped IPA whose flavor is described as “soft, doughy and slightly tangy malt, [with] bright citrus, pine resin hops, and tropical fruit.”
I was told that it “tastes pretty good.” A four-pack of 16-ounce cans sells for $14.99! We’ll excuse the fact hat the label font is actually modeled after of the lightning bolt across Bowie’s face from the cover of Aladdin Sane, because nobody seems to get that right.
This year’s Five Points Festival is a few weeks behind us now, and trust me when I say that the full-on photo recap of this truly mind-blowing event is on the way. But in the meantime, I’d like to satiate your craving for art toy news with a little teaser, featuring my favorite purchase from the show: these adorable Mini Lego Figures of David Bowie as two of his most famous personas, Ziggy Stardust and Aladdin Sane!
These figures were designed by artist Ron Reeves of Spandex Studios (SPandEX), and the attention to detail makes them instantly recognizable. For example, the toy above is rocking the Asymmetrical Knit Bodysuit designed by Kansai Yamamoto in 1973 for the Ziggy Stardust tour. Mini Lego Ziggy also comes with a Mic, so he can drop it.
And despite the fact that it says “Ziggy Stardust” on the packaging, this figure is clearly Bowie from the Aladdin Sane-era — distinguish by the iconic lighting bolt across its face. The card art includes an image of Bowie from the D.A. Pennebaker live concert film, Ziggy Stardust and The Spiders From Mars (1973). Perhaps a bit more attention to detail could have been employed here, but whatever. It is still pretty cool.
The only real bummer about David Bowie Is, the Brooklyn Museum’s immersive and wildly fascinating career retrospective on the late, great rock superstar is the fact that photography is not allowed inside the galleries. Huge Bummer! Once you enter the exhibit, the rule makes sense, because crowding: but still. Fortunately, photography is fully permitted in the museum gift shop, and thank god, because that is where I found these (unofficial) David Bowie Paper Dolls! Squee!
Ziggy-era Bowie in his Skivvies: Ready for some Hot Dress-Up Action!
If you’ve ever wanted to know what the Thin White Duke looked like in his underwear alone, wonder no longer!
Tokyo Pop Vinyl Bodysuit (1973) Designed By Kansai Yamamoto for the Aladdin Sane tour
From Ziggy Stardust to Halloween Jack, Major Tom, and many other characters, David Bowie continuously reinvented himself. The stage outfits recreated in Mel’s Music Icons’ Ziggy Paperboy book highlight a selections of Bowie ’s numerous identities and are as much a tribute to Bowie as is his music! Here are just a few of the fun outfits you can dress him up in!
The book also includes a few differently-styled versions of David, to accommodate all of his ch-ch-ch-changes!
Here is the famous Ice Blue Suit that David wore for the Mick Rock-directed video for “Life On Mars.” Iconic!
OMG so much Fun!
David Bowie Is Runs Through July 15th, 2018 at the Brooklyn Museum.
Here’s another awesome Holiday Gift Idea for the art lover on your list who also happens to be a fan of David Bowie or Prince. Pay homage to Ziggy Stardust, David Bowie’s iconic persona from the early 1970s, or the late great Prince, with this modern take on Japanese Kokeshi dolls, which are customarily given as symbols of friendship. Each doll measures, 5.7 inches tall, is hand painted in vibrant colors, and is made of schima superba wood. Imagine the adventure these two could have together.
These cool little Dolls, which sell for $42 each, are available directly from the MoMA Design Store at the Museum of Modern Art, or online at This link!
Putting on your red shoes and dancing the blues away can really work up a sweat. Be sure to scrub up after you get down with this David Bowie-themed Soap duo by Dirty Grl, makers of fun, bold soap that is all natural and animal friendly.
Handmade vegan soap
Bowie made with cocoa butter, geranium, coconut oil, argan oil, mica powder, sustainable palm oil, and safflower oil
Bolt made with sandalwood, activated charcoal, coconut oil, sustainable palm oil, safflower oil, jojoba, shea butter, and mica powder
If it’s not already sold out you can buy at This Link while supplies last!
Flowers, Photos, Artwork and Gifts from Fans and Mourners Stretch Eight Feet Deep in Front of David Bowie’s Former Home in Downtown NYC (All Photos By Gail)
I’m sure I am not alone when I say that I haven’t really felt centered since I heard the news of David Bowie’s death when I woke up at 6:00 AM on Monday morning. No matter how many bittersweet memories of seeing Bowie in concert back-in-the-day, or engaging personal accounts of ways in which David Bowie profoundly impacted countless lives that I read in my FaceBook news feed — and, trust me, the verbal tributes haven’t stopped coming — this news just doesn’t seem like it could be real. It’s almost like I need to ‘see the body,’ so to speak, for it to really sink in. Because I thought David Bowie was going to live forever. Didn’t we all?
I like to think of myself as being respectful of other’s personal space but, despite being somewhat mortified at the thought of exploiting David Bowie’s death in any way, or getting in his family’s face when they just want their privacy, the more I thought about it, the more I felt compelled to just go to his house; to make my own pilgrimage to visit the memorial shrine that fans have built over the two short days since he passed, which is growing in front of the building where David Bowie lived with his wife Iman and daughter Lexi. I didn’t know exactly where the building was, but I know downtown pretty well and I recognized a fairly distinctive landmark from seeing many on-the-scene TV reports, so I was able to figure out where to go.
“Let’s Dance” Graffiti Adds a Bit of Levity to an Otherwise Reverent Shrine Site
A light mist was falling as I walked uptown from the subway station, and the air had that still crispness, indicating that it could just start snowing at any minute. I hoped it would not start snowing just yet. And then I saw the crowd.
My photos are not great because I forgot to turn on my flash for some of them, and also I was trying not to step on, or in front of, anyone else who wanted to get pictures of this very beautiful tribute of love for a man whose music touched almost everyone I know. The collection of beautiful, fragrant flowers, personal David Bowie artwork, toys, gifts, and a small collection of Jesus Candles, is surrounded by metal police barricades, but if you have something you want to add to the shrine, the police will let you walk around and lay it where you feel it should rest. Everyone was very, very cool and respectful.
Up front: The cover story from Tuesday’s issue of AM New York, a free morning daily, generally available as you enter or exit the subway.
There is so much artwork left by fans, and I can’t even imagine what has already been covered and buried deep under flowers and mementos.
Here’s a sentiment we all wish were true.
I wonder who left that little Teddy Bear, and if it held any special message meant for David.
Bowie’s music played unobtrusively as I stood and took in this scene, and I could hear people sniffling, but a reprieve from the wracked sobbing that I imagine we have all been doing a bit of. It was very peaceful. I think David would have really loved to see such an outpouring of adoration from his fans.
I wish everyone who loved, and now mourns David tonight could see how beautiful this place is, and feel how much love went into creating it. I didn’t want to intrude on his family’s grief, but I almost felt like I had to go so I could represent for those who are not able to be near this energy.
God Speed You David Bowie. We will Miss You Forever.
Albert Oehlen (b. 1954) exaggerates and distorts the conventions of abstract painting, breaking rules as a way to critique traditions based on taste and canonized art historical narratives. His paintings are steeped in an aesthetic of extravagance and indulgence, often containing jarring color combinations, half-baked forms, and decorative touches.
Oehlen’s Ziggy Stardust (2001) pays homage in its title to musician David Bowie, who used his lavish alter-ego, Ziggy Stardust, to examine the power — and the destructive nature — of Rock and Roll. By channeling Bowie, Oehlen draws attention to the excesses of painting.
Beginning with an austere architectural CAD drawing, Oehlen the launches an assault on the canvas with bilious color, sludgy forms, and clashing techniques. Combining computer-generated and gestural marks, Oehlen prods at the very idea of the artist’s hand and supposed creative genius.
Photographed in The Broad Museum in Downtown Los Angeles.
It seems hilarious to think that I was six years old when David Bowie released his self-titled debut album, which would have been on June 1st of 1967. Coincidentally, and in an act of incredibly bad timing on Bowie’s part, that was the shared release date of another album you may have heard of: The Beatles’ Sgt Pepper’s Lonely Hearts Club Band. What a way to ensure that your most heartfelt artistic efforts are completely and totally eclipsed by another act! Bad Timing! In hindsight, also hilarious.
Point being that David Bowie has been part of the soundtrack for me since childhood. Surprisingly, this year (four decades on) I have learned more about the guy than I ever imagined I didn’t know. Just a couple of months ago, Showtime aired David Bowie: Five Years, a fantastic documentary spanning five key years in Bowie’s music career that was just one mind-blowing revelation after another. For example, I had no idea that Legendary keyboardist Rick Wakeman played piano all over Hunky Dory. Who even pays attention to stuff like that? Mind blowing. Five Years definitely deepened my respect and admiration for the man, his music and his insane contribution to global pop culture. David Bowie is a Musical Genius!
If you have ears and eyes and you are a David Bowie fan, then you’ve already also heard about David Bowie Is; the universally critically lauded, career retrospective that became the fastest-selling exhibition in London’s Victoria & Albert Museum’s history. David Bowie Is has already hit Toronto, Sao Paulo and Berlin, and on September 23rd, this exhibition — which features over 300 items including photos, costumes, artwork, hand-written lyrics, stage props, videos and other items from David Bowie’s Personal Archive — opened at Chicago’s Museum of Contemporary Art, which will be its only stop in the US.
That same Tuesday, a documentary film about the touring art exhibition, also called David Bowie Is, had a one-night only screening in various theaters across the country. I saw the film in NYC and it was so exciting that it made me want spend a thousand dollars just to go to Chicago and see the exhibit. Directed by Hamish Hamilton, the film is an excellent primer and will greatly enrich your visit should you have exhibit tickets at the ready. But for those who will be unable to view the exhibition in person, this film is the next best thing. It may even inspire you to pull out all the stops in order to make it to the Museum of Contemporary Art before David Bowie Is moves on to its next destination in January of 2015.
In addition to a detailed tour of the exhibition’s key features, the film includes tons of back-story and insights from curators Victoria Broackes and Geoffrey Marsh who serve as onscreen hosts and narrators. And let me tell you, they know their shit. One of my favorite parts of the film is a viewing and explanation of extensive, illustrated storyboards that Bowie created for a film to be based on the Diamond Dogs album. It is unreal. You’ll also hear conversations with exhibit-goer-fans, and commentary about Bowie’s far-reaching influence with pop taste-makers such as Pulp’s Jarvis Cocker and fashion designer Kansai Yamamoto, who created the iconic costumes seen in the photo below.
Costumes Designed By Kansai Yamamoto: (left to right) Tokyo Pop vinyl bodysuit (1973), Asymmetric knitted bodysuit (1973); cloak decorated with kanji characters (1973), all designed for the Ziggy Stardust tour.
If you missed the September 23rd screening and want to see what this exhibit is all about, David Bowie Is will have additional screenings around the country on November 20th. Visit This Link for theaters, show times and ticket purchasing information in your area.
The Worley Gig Gives David Bowie Is Five out of Five Stars!