This random piece of literal Street Art was spotted by me while I was wandering around the lower east side taking photos for This Post. All I saw was a flash of bright pink in the street, so I just got down in it with the iPhone and took a snap. It wasn’t untilI I arrived back home and took a good look at the photo that I recognized this dazzling mess as a crushed toner cartridge with the magenta toner dust sprayed artfully across the blacktop. Happy accidents: I welcome them.
Covid Life, it is now a thing. I’ve been working from home for two weeks already and I’ve fallen into a daily routine of taking a walk after lunch in the most isolated areas I can find, just to get exercise and prevent (delay) the onset of Cabin Fever. It cheered me immensely to discover this colorful mural by Kenny Sharf, populated with his trademark whimsical faces. Since I’ve been exploring new turf more than usual, I see his stuff all over doorways and gates. Who knows how long this has been here?
Spotted on Norfolk Street Between Rivington and Stanton on the LES.
It’s been months since we had a lovely, sunny weekend day in Manhattan where I wasn’t also otherwise occupied with a trade show or a museum visit, or some other plan that was going to keep me indoors all day. But this past weekend we enjoyed enough good outdoor weather to venture out on an Urban Art Safari, and that’s just what I did!
As I turned onto Broome Street, walking west near the corner of Forsyth, I spotted this fantastic, Bright Red Horse which towers up five stories of a six story mixed-use building. A bit of Googling revealed that the artist, Shai Dahan (whose name is clearly visible at the top right corner of the mural) painted the horse in October of 2019 as a gift to NYC, his former home. Dahan currently lives in Sweden.
This particular Red Horse is modeled after the Dala Horse of Sweden.
You can read more about the artist and this fantastic Red Horse in a Q&A with Brooklyn Street Art located at This Link.
Street wear brand Nicopanda is behind the design for this expansive mural that stretches across the western façade of a tenement building at the corner of Allen Street and Stanton Street. on New York City’s Lower East Side. Known for its edgy and playful approach to ready-to-wear and accessories, Nicopanda is the personal brand of style icon Nicola Formichetti. The Love Beyond Boarders mural is part of The New Allen project, is co-sponsored by MAC Cosmetics, and features a design based on Formichetti’s original Amoeba Panda print. While l I could not uncover an exact date of its creation, the mural appears to have been put up in early December, 2016.
“Our world feels divisive, right now, so the message of universal inclusivity is very important, and especially because many of our political leaders are suggesting otherwise,” Formichetti says in a statement on the brand’s website. “I believe in Love Beyond Borders, and that’s very much so at the core of Nicopanda.”
To announce the mural, Nicopanda created a short film, starring a cast of Yew York kids, most notably the rising green-haired rapper Ahsh EFF. Watch the video, at This Link!
On one of my recent Street Art Safaris, I found myself walking east on Eldridge Street, where I couldn’t help but notice more than a few stickers and small murals supporting anti-gun violence messages. And then I saw this one: another work by Brazilian street artist Eduardo Kobra, whose work is instantly recognizable for its kaleidoscopic mosaic of bright colors. Kobra’s Stop Guns is a multi-story artwork depicting a young boy posing for a selfie, with his phone held up in one hand and a pistol gripped in the other. Very sobering. Appropriately, the piece is located adjacent to a parking lot beside Cascades High School.
This Mural, Which Went Up on August 8th, 2018, is Located at the Corner of Stanton and Eldridge Streets on NYC’s Lower East Side.
Here’s well-preserved example of anonymous street artist WhIsBe’s Vandal Gummy series, for which he places an image of a Candy Gummy Bear against a Prison Mugshot Background. According to the artist’s Wiki page, “The juxtaposition between the harshness of the Department of Corrections and the innocence of the piece of candy encourages viewers to examine institutions and has become a hallmark of WhIsBe’s body of work.”
Photographed at 19 Stanton Street, Just East of Chrystie Street, LES, NYC.