All Photos By Gail
Currently on view at the Petersen Automotive Museum in Los Angeles as part of Mr. Brainwash’s exuberant exhibition Cars Are Beautiful, Furry Fiat is exactly what its name promises. Created in 2024, this full-size Fiat is entirely covered in Plush Pink Fur, transforming an everyday automobile into a surreal, pop-inflected sculpture that blurs the line between car culture, fashion, and contemporary art. Continue reading Pink Thing of The Day: Pink Furry Fiat By Mr. Brainwash
Photo By Gail
Zoe Buckman (b. 1985) weaves together stories of friendship, trauma, and resilience in multidisciplinary works that explore the undercurrents of women’s lives. The artist uses a range of materials, many related to sewing and textile traditions, historically executed by women in their homes. Continue reading Modern Art Monday Presents: Zoe Buckman, In Full Command of Every Plan You Wrecked
Installation View at The Salon (Photo By Gail)
When it comes to timeless design, certain pieces transcend mere function and enter the realm of sculpture. Such is the case with the extraordinary drop-front desk and chair by Samuel Marx, presented by Liz O’Brien at the 2024 edition of The Salon Art + Design at the Park Avenue Armory in New York. Continue reading Eye On Design: Samuel Marx Drop-Front Desk and Chair at Salon Art + Design
Photo By Gail
The legal names of the married, artistic duo known as DabsMyla are unknown. Originally from Australia, the pair now lives in Los Angeles, where they create art in an exuberant and idiosyncratic style, often recycling, themes, and signature styles from the history of art. Continue reading Modern Art Monday Presents: Memories From the Garden Party By DabsMyla
Photo By Gail
In her most recent paintings, Amy Sherald has responded directly to the increasing threats, violence, and legislation against gay, transgender, and gender-nonconforming people across the United States. This work, Trans Forming Liberty (2024) recasts the Statue of Liberty as a non-binary trans-femme person, radically redefining this iconic symbol of American freedom, and suggesting that the ideal of acceptance inscribed on the sculpture – “Give me your tired, your poor, your huddled masses yearning to breathe free” from Emma Lazarus’s poem The New Colossus (1883) – be applied unequivocally to all citizens, regardless of gender, sexual orientation, or other identifiers.
Photographed in the Whitney Museum in New York.