Allan D’Arcangelo’s portrait of First Lady Jacqueline Kennedy and her young daughter Caroline adopts the bold style of modern advertising, epitomized by the broad areas of bright, unmodulated color. The image trades on the Kennedy’s brand status and visual legibility: its sitters are recognizable merely by virtue of their signature hairstyles and clothing, as well as Jackie’s string of pearls. Made just months before President Kennedy’s assassination1963, Madonna and Child’s take on an age-old religious theme is at once optimistic and disquieting. With their bright halos and featureless faces, Jackie and Caroline appear as contemporary icons and saviors even as they are reduced to mute images for public consumption.
Photographed in the Whitney Museum in NYC.