Allan D’Arcangelo’s portrait of First Lady Jacqueline Kennedy and her young daughter Caroline adopts the bold style of modern advertising, epitomized by the broad areas of bright, unmodulated color. The image trades on the Kennedy’s brand status and visual legibility: its sitters are recognizable merely by virtue of their signature hairstyles and clothing, as well as Jackie’s string of pearls. Made just months before President Kennedy’s assassination1963,Madonna and Child’s take on an age-old religious theme is at once optimistic and disquieting. With their bright halos and featureless faces, Jackie and Caroline appear as contemporary icons and saviors even as they are reduced to mute images for public consumption.
Side View Mirror (1965) by Allan D’Arcangelo (1930 – 1998) consist of a color screenprint printed on Plexiglas, set into round chrome side-view mirror, and mounted on a black Plexiglas base.
As a readymade /sculpture, Side View Mirror is part of a multiple artist collaboration, Seven Objects in a Box (Published 1965-66), which consisted of a stenciled wooden box, containing one artwork each by artists Tom Wesselmann, Andy Warhol, Claes Oldenburg, Roy Lichtenstein, Jim Dine, George Segal, and D’Arcangelo (see photo below). Part of the permanent collection at MOMA, all pieces are displayed as stand-alone works.