Tag Archive | 1922

Eye On Design: Lacquered Wood Screen By Eileen Gray

lacquered wood screen by eileen gray photo by gail worley
All Photos By Gail

Eileen Gray (18791976) wrote that “Art is not just the expression of abstract relationships. It must also encapsulate the most tangible relations, the most intimate needs of subjective life.

lacquered wood screen by eileen gray photo by gail worley

Consistent with these aims, this freestanding Lacquered Wood Screen (1922) which functions both as a movable wall to divide a space, and as an abstract modern sculpture composed of solids and voids. Working in Paris after World War I, Gray popularized and perfected the meticulous art of lacquered furnishings, which struck a chord with the contemporary taste for exotic materials, especially those used in Japanese decorative arts.

lacquered wood screen by eileen gray photo by gail worley

Photographed in the Museum of Modern Art in NYC.

Modern Art Monday Presents: The Businessman Max Roesberg, Dresden By Otto Dix

The Businessman Max Roesberg, Dresden
Photo By Gail

German painter Otto Dix portrayed his subjects with a hard-edged, detached realism, accentuating unattractive features and signs of age. Since this portarit, The Businessman Max Roesberg, Dresden (1922) was a commission, his treatment of his subject was rather kind. Dix highlights Roesberg’s business prowess — which was short-lived — in several ways. The room is cluttered with materials central to a productive professional practice, such as a telephone, calendar, and tools for correspondence,while the palette of greens and blues alludes to rh coorof money. Moreover, Roesberg’s body is almost completely obscured by his business suit —  a mark of his professional identity.

Photographed in the Metropolitan Museum of Art in NYC.