Tag Archives: abstract

Modern Art Monday Presents: Joan Snyder, Hard Sweetness (From the Stroke Series)

Hard Sweetness

Hard Sweetness (1971) is one of Joan Snyder’s Stroke paintings, a series in which abstract imagery and mark-making register personal and political struggles and decisions. Snyder began making art in the late 1960s, a time when men dominated the art world. Her sensibility and style were inspired by feminism, music, Expressionism, and her own life experience, as well as dislike of the distilled macho aesthetics of Minimalism.

Hard Sweetness uses strokes of paint in soft stains, loose washes, and thicker scumbling ( applying a very thin coat of opaque paint to give a softer or duller effect) to create rhythmic, almost musical passages of color across the canvas. As the title of this work suggests, Snyder blurs the distinction between the senses of sight, taste and perhaps even sound and smell. Like her contemporary Eva Hesse, she balances a feminine palette with a muscular formal complexity.

Photographed in the Jewish Museum in Manhattan.

Modern Art Monday Presents: Rudolf Bauer, Invention (Composition 31)

Invention (Composition 31)
Photo By Gail

By the late 1920s, Rudolf Bauer (1889 – 1953) had replaced the lively and organic symphony of shapes that he had developed in his earlier work with a more balanced aesthetic. Invention (Composition 31) (1933)  epitomizes this trend and features flat geometries tightly gravitating toward a dark center, a hazy black shape perhaps symbolizing the ultimate void. Also around this time, museum founder Solomon R. Guggenheim became acquainted with the artist through Bauer’s former companion, Hilla Rebay. Not only was Bauer’s work amassed in depth, but he also played an integral role as Guggenheim’s European agent in the first decade that Guggenheim spent forming his modern art collection.  Invention (Composition 31) was reproduced on the cover of the catalogue Art of Tomorrow, which accompanied the opening exhibition of the Guggenheim Museum’s Non-Objective Painting, New York in June 1939.

Installation View
Installation View

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Modern Art Monday Presents: William Baziotes, The Flesh Eaters

The Flesh Eaters
Photo By Gail

Like the Surrealists he admired, and his fellow Abstract Expressionists, William Baziotes (1912 – 1963) was fascinated by the power of myth. Here, the title The Flesh Eaters (1952) and its imagery suggest the story of the Cyclops, the one-eyed giant who devoured Odysseus’s sailors in Homer’s epic poem. In this ambitious work, Baziotes applied layer upon layer of oil paint and rubbed it into the canvas to create a shimmering, opalescent surface that evokes an underwater world inhabited by undulating, biomorphic forms. Characteristically, the artist combined menacing forms with luminous colors to create a paradoxical work that is both repulsive and compelling.

Photographed in the Metropolitan Museum of Art in NYC.

Modern Art Monday Presents: Jean Hélion, Standing Figure

Standing Figure
Photo By Gail

French born artist Jean Hélion (1904 – 1987) painted Standing Figure at a time when he was a central proponent of nonrepresentational art in the United Stares. In 1936Hélion was a founding member of the American Abstract Artists group, which counted among its members Willem de Kooning. In this painting, the body is interpreted in curved forms and shaded in tones of gray that resemble the metallic parts of a machine. Hélion’s depiction of the human figure is inspired by the quick-paced life of the city streets, and the presence of new technology in urban settings.

Photographed in the Metropolitan Museum on Art in NYC.

Erik Jones, Twenty Sixteen at Jonathan LeVine Gallery

Erik Jones Split Heart
Death From Above: The End Is Nigh (All Photos By Gail)

After a leisurely, scenic walk on the High Line, Geoffrey and I showed up fashionably late at the Jonathan LeVine Gallery for the opening reception of Erik Jones‘ new exhibit of collage paintings, Twenty Sixteen, which is the name of the year that we are in right now! By the time we got there, the place was really packed. Scroll down to see a photo of the hot crowd action! Continue reading Erik Jones, Twenty Sixteen at Jonathan LeVine Gallery